This book was first published in 1939 and this copy is an undated reprint. -- Source of annotation: Marvin or Ruth Sackner.

This copy is the first edition of the book after the printing of 300 copies of a limited edition. -- Source of annotation: Marvin or Ruth Sackner.

Edited by George Firmage and Richard Kennedy -- Source of annotation: Marvin or Ruth Sackner.

Lists Ian Hamilton Finlay's corrected galley proofs of "The Sea-Bed and Other Stories" for sale at $2,500. -- Source of annotation: Marvin or Ruth Sackner.

The clippings accompanying the book are reviews. -- Source of annotation: Marvin or Ruth Sackner.

This book was designed by George James Firmage and contains copious notes about the poems .This is an Authorised Typewriter Edition of 770 Collected, 45 Uncollected and 20 Unpublished Poems Recreated from the "Poet's Manuscripts with Bibliographical and Textual Notes by George James Firmage." This Typewriter Edition is limited to 225 Numbered copies, of which 200 were for sale. Quarter bound in green leather with hessian boards. Gilt titles to spine & gilt "E.E.Cummings" signature to front leather. Green-stained top edge. Beige card endpapers. -- Source of annotation: Marvin or Ruth Sackner.

This issue contains illustrated articles on the genesis of the letter 'L,' film posters, and "Love Letters." Allan Haley contributed a biography entitled, "William Caxton: The Modest Translator." Marion Muller's essay "Meant to Be Seen and Not Heard" about concrete and shaped poetry dealt with an exhibition of Arion Press' Shaped Poetry portfolio at MJS Books & Graphics in New York. -- Source of annotation: Marvin or Ruth Sackner.

This 1970 reprint is based upon a 1959 reprinting of the book that was first published in 1931. Malcolm Crowley contributed an excellent introductory analytic essay. -- Source of annotation: Marvin or Ruth Sackner.