Kahn has pasted a pictre of her face on top of a picture of a woman showing her trophy shark. The caption reads, "What I did on my summer vacation." -- Source of annotation: Marvin or Ruth Sackner.

Ricciardi appropriated images by earlier artists and received images from contemporary artists that he affixed the label, "Art Line Do Not Cross." -- Source of annotation: Marvin or Ruth Sackner.

Published in conjunction with the exhibition "Aim High" at the Jersey City Museum, these prints depict several erotic images. -- Source of annotation: Marvin or Ruth Sackner.

This essay deals with Robin Kahn's self-published, copyright-free artist anthologies that emphasize collaboration over gallery kudos. Inspired by the Beats' journals and Greil Marcus' account of the Situationists in his book, Lipstick Traces, Kahn published SOS anthology as a neo-conceptual work. -- Source of annotation: Marvin or Ruth Sackner.

The content of the text is feminist in theme. It is illustrated with found images that are enhanced with handcoloring and rubberstamping in this limited edition. -- Source of annotation: Marvin or Ruth Sackner.

This book was published to commemorate the United Nations' Fourth World Conference on Women held in Beijing in 1995. All submissions from women around the world were accepted for the project that was a joint venture with SOS Int'l. Kahn places a short caption on the header of each page that sorts the pages into sequential alphabetical content to simulate pages of an encyclopedia, e.g., COOL IDEA, COTIDIANIDAD, COUPON, COUPS, etc. -- Source of annotation: Marvin or Ruth Sackner.