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Cockburn, Ken, 1960-

 Person

Found in 3 Collections and/or Records:

Ian Hamilton Finlay and the Wild Hawthorn Press 1958-1991 / Finlay, Ian Hamilton ; Cockburn K., 1991

 Item
Identifier: CC-11836-12057
Scope and Contents

Includes comments by Finlay on his poem, "Acrobats." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

The Order of Things: Scottish sound, pattern and concrete poetry / Cockburn, Ken, editor ; Finlay, Alec, editor ; Clark TA ; Morgan E ; DeVries H ; Riddell A ; Khlebnikov V ; Jandl E ; Gomringer E ; Leonard T ; Gorman R ; Rose D ; Henderson K ; Morgan P ; Murray J ; Rabelais ; DeVries H ; Finlay A ; Finlay IH ; Drummond W ; Stephen I ; Dunning C ; Braga E ; Houedard DS ; Bellingham D ; Reid A ; Woods A ; MacDiarmid H ; Fowler A ; Vicuna C., 2001

 Item
Identifier: CC-37455-39308
Scope and Contents This anthology includes the works of a number of Scottish concrete poets who have not appeared in international anthologies in this field. The book also includes a section of commentaries on concrete poetry by Finlay, Gomringer, Riddell, Morgan, and Leonard. The final section of the book annotates selected poems. A compact disc in an insert in the rear dust jacket has interviews, poetry readings and sound poetry by various poets.Peter Manson's review: This exciting and compendious anthology collects an unprecedented variety of poems written by Scots from the Renaissance to the present day, though the great bulk of its contents was written in the last 40 years. Its remit is wide but definable: the poems all, in one way or another, place the emphasis on poetry as a pattern made from the various material aspects of language: language as sound, as letters carved or arranged on a page, as words or phrases to be varied or permuted. Historically, it ranges from Renaissance pattern-poems,...
Dates: 2001

Words and Pictures, No. 5, 1996

 Item — Box 247: [Barcode: 31858072460391]
Identifier: CC-27253-27759
Scope and Contents

Jake Chapman contributed the preface. For this issue, Ken Cockburn printed a book about the Scottish poet, Robert Burns and his favorable feelings toward the French Revolution. In an introduction to two poems, Cockburn mentioned that Burns died on 3rd Thermidor. He further suggested that the French Revolutionary Calendar attempted to wean peasantry away from the use of Saints' days by designating each day with a rural name. Carrie Reichardt made a yellow, latex mold from a woman (Alison O'Dell) that reproduced part of jeans and umbilicus. Most of the other contributions have visual or conceptual artistic themes. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

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