The three prints to be mounted in sequence horizontally depict a wide angle view of the harbour from Furnival's vantage point in the cottage where Astrid and he lived after they were first married. The style of the line drawings of the ships in the harbour is similar to drawings of ships that Furnival made with Ian Hamilton Finlay in the early sixties. Stored in The Locative and Vocative Case. -- Source of annotation: Marvin or Ruth Sackner.