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Digital Curtents: Art in the Electronic Age / Lovejoy, Margot ; Acconci V ; Anderson L ; Apollinaire G ; Artaud A ; Baldessari J ; Balla G ; Barthes R ; Bayer H ; Bense M ; Brecht G ; Byrne D ; Cage J ; Charlip R ; Christo ; Cunningham M ; Dali S ; Debord G ; Duchamp M ; Dupuy J ; Ernst M ; Fahlstrom O ; Fox T ; Fuller B ; Greenblatt R ; Grosz G ; Haacke H ; Hanson A ; Hausmann R ; Heartfeld J ; Hickman C ; Graham D ; Johns J ; Kac E ; Kaprow A ; Kitaj R ; Kruger B ; LeWitt S ; Lichtenstein R ; Lucier M ; McLuhan M ; Marclay C ; Mekas J ; Moholy-Nagy L ; Mohr M ; Muntadas A ; Nauman B ; Nechvatal J ; Neshat S ; Ono Y ; Paolozzi E ; Rauschenberg R ; Reichert J ; Rodchenko A ; Rosler M ; Schneemann C ; Seaman B ; Spero N ; Stockhausen K ; Tansey M ; Tinguely J ; Truck F ; Tudor D ; Viola B ; Warhol A ; Weibel P ; Wilson R ; Willats S ; Zelevansky L ; Zweig J ; Hamilton R., 2004

 Item
Identifier: CC-42905-44948

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Scope and Contents

Synopsis review: Digital Currents explores the growing impact of digital technologies on aesthetic experience and examines the major changes taking place in the role of the artist as social communicator. Just as the rise of photographic techniques in the mid 1800s shattered traditional views about representation, so too have contemporary electronic tools catalysed new perspectives on art, affecting the way artists see, think, and work, and the ways in which their productions are distributed and communicated. Digital Currents explores the growing impact of digital technologies on aesthetic experience and examines the major changes taking place in the role of the artist as social communicator. Margot Lovejoy recounts the early histories of electronic media for art making - video, computer, the internet - in the new edition of this richly illustrated book. She provides a context for the works of major artists in each media, describes their projects, and discusses the issues and theoretical implications of each to create a foundation for understanding this developing field. Digital Currents fills a major gap in our understanding of the relationship between art and technology, and the exciting new cultural conditions we are experiencing. -- Source of annotation: Marvin or Ruth Sackner.

Dates

  • Creation: 2004

Creator

Extent

0 See container summary (1 soft cover book + card (342 pages)) ; 24.6 x 17.4 x 2 cm

Language of Materials

From the Collection: English

Physical Location

shelf alphabeti

Custodial History

The Sackner Archive of Concrete and Visual Poetry, on loan from Ruth and Marvin A. Sackner and the Sackner Family Partnership.

General

Published: New York : Routledge. Signed by: Margot [Lovejoy] (u.l.- inside front cover). Inscription: Good vibrations!. Nationality of creator: American. General: Added by: MARVIN; updated by: MARVIN.

Repository Details

Part of the The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry Repository

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