Also designated Colecao Espaco 3; the Sackner Archive also holds Colecao Espaco 4 by Carlos Fernando Fortes de Almeida. In the Jardim book, two to four nouns seemingly arranged randomly for the most part are printed on each page. Although its title is neo-concrete prose, it appears to be neo-concrete poetry. Only one other copy (unsigned) was found on the internet at the Getty Research Institute Research Library as part of the Jean Brown collection.Internet: Reynaldo Jardim was born in Sao Paulo on December 13, 1926 and died in Brasilia on February 1, 2011.Among other professional activities, participated in the 50's, the Journal of Reform in Brazil - where he created and edited the Sunday Supplement of the Official Brazil, Sunday Notebook and Notebook B. In the same group, directed the Radio Jornal do Brazil The Sunday Supplement of the Journal of Brazil, SDJB spent pages of cake recipes to the most important literary supplement of concrete poetry in Brazil, passed by critics and writers of great name, like Oliveira Bastos, Mario Faustino, among others. Before that, outside editor of magazines and The Cruise Headline, has held senior management positions in the Radio Club of Brazil, in Maua Radio on Radio Globo and Radio National, all in Rio de Janeiro, and São Paulo Excelsior Radio. By resigning from JB, 1964, Reynaldo Garden continued to perform activities of great prominence in the press in Rio de Janeiro: Lord of the magazine was director and director of television journalism's newly inaugurated TV Globo. Already in 1967, created the school newspaper, The Sun, undoubtedly a milestone in the history of the Brazilian press, with creative writing and graphic design innovator. Headed Morning Post from 1967 to 1972. Worked in various capitals to reach Brasilia in 1988. Also conducted reforms graphics in newspapers of various capital of Brazil, as The Critic (Manaus, Amazonas), The Liberal (Bethlehem, PA), Gazeta do Povo (Curitiba, Parana), Jornal de Brasilia (Brasilia, Brazil) and Diary Morning (Goiania, Goias). In Brasilia, was editor of notebook Aside, Mail Braziliense and executive director of the Cultural Foundation of the Federal District. He published 12 books of poetry including in Joana Flor and Maria Bethania, Warrior, Guerrilla, The Wall Gecko Escorregante Sunday, Song Pleasures, Intimate Sangrada scripture and graphite. Compulsive As a poet, Reynaldo Jardim remained the only daily column of poetry on paper, in the Journal B notebook of Brazil from 2004 to 2006, when the column became a weekly. In 1968 he had had the same experience, a poem a day, in the Official Vanguard, aired on TV when Rio, live, commenting on verses the most important event of the day. In 1959, he was a co-signer of the Neo-Concrete manifesto of Ferreira Guilla. viz.: In 1959, Brazilian poet and critic Ferreira "¨Gullar published the "Neoconcrete Manifesto" "¨in Jornal do Brasil, articulating and giving voice to a five-year-old dissidence against Concretism.1 "¨The document was co-signed by artists Amílcar de Castro, Franz Weissmann, Lygia Clark, and Lygia Pape as well as poets Reynaldo Jardim and Theon Spanudis. Soon after its publication, Aluísio Carvão, Decio Vieira, Helio Oiticica, Hercules Barsotti, Willys de Castro, and others joined the movement. Until the mid 1960s, they systematically transformed contemporary Brazilian art, producing a formidable number of new formulations that continue to resonate in contemporary practices, perhaps as a result of their original radicalism and innovatio. -- Source of annotation: Marvin or Ruth Sackner.