The print consists of rubberstamped words in English and French arranged to form a visual poetic image of a landscape. -- Source of annotation: Marvin or Ruth Sackner.

This print depicts five amorphous shapes filled with dense black abstract markings. -- Source of annotation: Marvin or Ruth Sackner.

This print depicts two architecturally-like shapes that have dense abstract markings, line drawn faces and clocks. -- Source of annotation: Marvin or Ruth Sackner.

This is a signed, unfolded, poster collaborative work by the artists that was published in Review OU No.38-39, 1971. -- Source of annotation: Marvin or Ruth Sackner.

The eight prints fit together to form a wall poster. -- Source of annotation: Marvin or Ruth Sackner.

This calligraphic text is the maquette for the folded print in Portfolio Chopin. It is a linear extract of letters by Henri and Bernard to each other from 1962 - 1977. The two are identified by heavy printed letters, BH and HC. -- Source of annotation: Marvin or Ruth Sackner.

This is a section cut from a larger damaged painting. -- Source of annotation: Marvin or Ruth Sackner.

Print was made using the visual components of the poster from an exhibition at Galerie Annie Lagier with Burka and de Charmoy. -- Source of annotation: Marvin or Ruth Sackner.

The text of this print consists of several repetitions of the word, joie (joy) with a single word, jois, placed near the bottom. -- Source of annotation: Marvin or Ruth Sackner.

The title in English means to scale over. The text consists of a repetition of the words, morte and death over a Manchester Guardian newspaper image of The Communist leader, Brezhnev whispering into the ear of President Nixon. -- Source of annotation: Marvin or Ruth Sackner.