The slogan relates to Finlay's dispute with the local tax collectors. -- Source of annotation: Marvin or Ruth Sackner.

The print depicts a blue pointillist image of the harbor. -- Source of annotation: Marvin or Ruth Sackner.

This is a varient copy of a print with the same title in Finlay's portfolio Headlines:Eavelines. The overlaid text in this print as well as the colors differ from the print in the portfolio. The finished print has words printed in blue and bluish-purple and the varient copy is printed in green and light blue. -- Source of annotation: Marvin or Ruth Sackner.

The title printed in red is on a reproduction of the Scottish Arts Council stationery and is captioned "Souvenirs of the French Revolution." -- Source of annotation: Marvin or Ruth Sackner.

This poem on Apollo and Daphne is adapted from Greek mythology. -- Source of annotation: Marvin or Ruth Sackner.

This poem dealing with Apollo and Daphne has been modified by Finlay to signify that Apollo is the revolutionary and Daphne the French republic. -- Source of annotation: Marvin or Ruth Sackner.

Also listed as "Ovid: Metamorphoses Book I, Fable XII."

This memorial to Robert Louis Stevenson takes the form of a sacred grove bounded by an ashlar wall on a half circle and by five silver birch trees (Betula pendula) across the diameter. At the foot of the tree trunk is a stone tree column base inscribed with R.L.S. and Stevenson's dates beneath (1850-1894). The site is a Stevenson sanctuary, an area for reflection that is half private and enclosed and half open to the world, just as are Stevenson's writings. -- Source of annotation: Marvin or Ruth Sackner.

Image was taken from a detail of a painting by William Gillies. -- Source of annotation: Marvin or Ruth Sackner.

Depicts a seascape with inscribed flat stones (Liber Veritas) in the foreground -- Source of annotation: Marvin or Ruth Sackner.

The print depicts a sailboat with yellow sails (rose) passing rocky shoals (rock). -- Source of annotation: Marvin or Ruth Sackner.

This poem is included in Finlay's Headlines:Eavelines but this drawing has a totally different layout than the print included in the portfolio. -- Source of annotation: Marvin or Ruth Sackner.

This is a duplicate print from Finlay's portfolio Headlines:Eavelines. It was probably drawn by John Furnival. -- Source of annotation: Marvin or Ruth Sackner.

This is a duplicate print from Finlay's portfolio Headlines:Eavelines. The word, "turnover" in this copy are orange whereas the print in the portfolio is brown.The verso has the following inscription: "from Evalines / Headlines by I.H.F. and students at Bath Academy of Art Openings Press." -- Source of annotation: Marvin or Ruth Sackner.

Sea is depicted by horizontal thick blue lines that are crossed by diagonal brown lines symbolizing "land." -- Source of annotation: Marvin or Ruth Sackner.

This is an image of Xmas Star, a fishing boat, with a listing of its Port Letters, Fishing Numbers, Radio Call Sign, Net Tonnage, and Gross Tonnage. With the exception of the name Xnas Star printed in red, the remainder of the image is printed in black. Printed at the lower right is "Wild Hawthorne Press April 1969. The Sackner Archive holds a smaller version of this print. -- Source of annotation: Marvin or Ruth Sackner.

This depicts an image of Xmas Star, a fishing boat, with a listing of its Port Letters, Fishing Numbers, Radio Call Sign, Net Tonnage, and Gross Tonnage. With the exception of the name Xmas Star printed in red, the remainder of the image is printed in black. In this unique version, the image is printed on much heavier stock paper than the original print. The inscription on verso reads, reprint from the Wild Hawthorn Press April 1969. -- Source of annotation: Marvin or Ruth Sackner.