In this poem, Furnival plays with permutations of bear, the personal pronouns, ours & nous (we in English from the French), and son using his distinctive calligraphic printed letterform style. This print is depicted in Furnival's "Lost For Words" (2011) page 56. -- Source of annotation: Marvin or Ruth Sackner.

This is part of the Nailsworth series of prints and consists of a listing of phrases beginning with the letter "A." In a letter to the Sackners, Furnival indicates that he intends to do the entire alphabet in this format. The print is stored in the Locative and Vocative Case. -- Source of annotation: Marvin or Ruth Sackner.

Depicts six word and image columns that include the Statue of Liberty, a cowboy, numbered cubes and aphorisms. This print is depicted in Furnival's "Lost For Words" on pages 58-59. -- Source of annotation: Marvin or Ruth Sackner.

This is a reprint on different paper (Arches 88) of the same print of the sixties. -- Source of annotation: Marvin or Ruth Sackner.

The print on translucent paper lists a circular stream of words, printed in different colors, that relate to celestial bodies. These float over the second print that depicts a large silver globe with latitude and longitude lines. Disintegrating silver capital "V's and other letterforms on the outer border of the globe provide an visual effect that it is spinning. The printing on this work is unusually sophisticated and might have been done in collaboration with A. Doyle Moore, a master printer. -- Source of annotation: Marvin or Ruth Sackner.

This black and white print has mathematical symbols, magic squares and words in which one or more of the stylized letters are printed in reverse, upside down. The central image depicts a 4 x 4 grid of numbers, letters and symbols. This is surrounded by a rectangular border of words, suggestive of Saturn's ring (?) that include "Yahweh, Demon, Sazel, Aziel, Spirit, Saturn, Planet." The words "Sazel and Aziel" are not listed in the dictionary. -- Source of annotation: Marvin or Ruth Sackner.

Each of four quadrants of the translucent print are handwritten explanations of Kabbalah. This overlies the second print which consists of three vertical color fields, the outer two are gilded and the center is a muted gold. -- Source of annotation: Marvin or Ruth Sackner.

Depicts three visual poetic word columns. The Archive also holds this print backed on museum board. -- Source of annotation: Marvin or Ruth Sackner.

This is a reprint on different paper (Arches 88) of the same print from the sixties -- Source of annotation: Marvin or Ruth Sackner.

Depicts three visual poetic word columns and several circles with optical effects from interlacing short lines. This print is depicted on page 44 of Furnival's book "Lost for Words" (2011). -- Source of annotation: Marvin or Ruth Sackner.

Consists of two columns of poetic expressions beginning with the letter T or the word T. -- Source of annotation: Marvin or Ruth Sackner.

Each of the 21 poems in this print have a repetition of a word or beginning letter of a word in each of their lines, e.g., The Evening Star - The Example, The Excuse; The Trick, The Truth. -- Source of annotation: Marvin or Ruth Sackner.

The poem is formed by dense clusters of words and letters except for the arches that are formed by lines to provide the shape and tilt of the Tower of Pisa. The subject matter deals in part with nations who have held the tower during its existence, e.g., France, Germany, and Italy. The print is silkscreened onto Arches 88 paper. -- Source of annotation: Marvin or Ruth Sackner.

The theme of the poem deals with the Cold War and is depicted on page 64 of Furnival's book "Lost for Words" (2011). -- Source of annotation: Marvin or Ruth Sackner.

The translucent print is a diagram of Mythologic names with Zeus at the center of the chart. This overlays the print on papercard that depicts Zeus within a large "Y" (why?) shaped background preparing to hurl a spear. -- Source of annotation: Marvin or Ruth Sackner.

Image consists of the sixty red number '60's' with varied dimensions placed in a vertical rectangular space with some of the numbers overlapping. It was done n celebration of Tom Phillips' 60th birthday. -- Source of annotation: Marvin or Ruth Sackner.

The print depicts an image of a sheep and lamb. -- Source of annotation: Marvin or Ruth Sackner.