The completed text reads, "Wych Countree has the Elm Disease?" The outlines of world-wide countries are flying around a sky with a setting sun as if they were leaves. Four human figures are drawn encased in grids. The Archive has three other unsigned copies of this print. This print is depicted in Furnival's "Lost For Words" (2011) page 61. -- Source of annotation: Marvin or Ruth Sackner.

The print depicts the Arc d'Triomphe as a shaped poem formed by collaged newsprint and calligraphic text. This Parisian structure is depicted facing the Avenue des Grandes Armees. The latter serves as a metaphor for part of an ejaculate from another of the print, viz., a penis shaped from collaged newsprint & calligraphic text that is a metaphor for the young revolutionaries in the May 1968 student led rebellion in France. Texts in the poem support the May 1968 action against the government. -- Source of annotation: Marvin or Ruth Sackner.

The layout and implications of this poem are similar to Arc d'Triomphe May 1968. Here the Eiffel tower formed by calligraphic text substitutes for Arc d'Triomphe and receives ejaculate from a penis shaped with calligraphic text, newspaper headlines and a collaged Albert-Birot print (Paridis). Text of the poem is a sympathetic response to the student rebellion in France during May 1968. -- Source of annotation: Marvin or Ruth Sackner.

The poem is formed by dense clusters of words and letters except for the arches that are formed by lines to provide the shape and tilt of the Tower of Pisa. The subject matter deals in part with nations who have held the tower during its existence, e.g., France, Germany, and Italy. This print is depicted in red in one image and black in another image on page 36 og Furnival's book "Lost for Words" (2011). The Sackner copy is printed in blue ink. -- Source of annotation: Marvin or Ruth Sackner.

Depicts a summer landscape through double windows and lists 19 words, several archaic or made-up, that describe the weather. -- Source of annotation: Marvin or Ruth Sackner.

This is a reprinting of the first commercial print that Furnival made after his graduation from the Royal Academy of Art. -- Source of annotation: Marvin or Ruth Sackner.

This is a reprinting of a print from the portfolio, "Evelines, Headlines," done in collaboration with Furnival's first group of students and Ian Hamilton Finlay. According to Furnival, the portfolio sprang from a drawing that his daughter did of The Flying Scotsman - literally a Scotsman in a kilt with angel's wings. With respect to this poem, it might be a take-off on Basho's famous poem, Frog Pond Plop. -- Source of annotation: Marvin or Ruth Sackner.

The print depicts a drawing of a tree barren of leaves with a single bird's nest, presumably in the Furnival's house in southern France. -- Source of annotation: Marvin or Ruth Sackner.

A drawing of four windows in a partially drawn bolted door. The graphite pencil is worked onto the surface of the paper so that the glass panes have a silvery reflection. The complete text printed at the top of the drawing reads, " Although the Meteorological Office has not yet released the forecast for September, it is not expected to be a cheerful one. " Part of a series of eight prints in collaboration with Jonathan Williams, "St Swithin's Swivet." -- Source of annotation: Marvin or Ruth Sackner.

A red, triangular road sign in printed over two staves of music by Satie with the expression "Le colonel est la!" -- Source of annotation: Marvin or Ruth Sackner.

In The Locative and Vocative Case. -- Source of annotation: Marvin or Ruth Sackner.

In the Locative and Vocative Case. -- Source of annotation: Marvin or Ruth Sackner.

Depicts a sheep peering through a window with the fields in the background; according to a letter from Furnival, this print is a companion to Bright Patches. -- Source of annotation: Marvin or Ruth Sackner.

This line drawing depicts a labyrinth from a horizontal-vertical aspect with a central figure of Mother Nature followed by a man, dressed in a robe, who holds a lantern. -- Source of annotation: Marvin or Ruth Sackner.

This is one of a series of 11 prints done in collaboration with Jonathan Williams that deal with the weather in Cumbria. This depicts a gloomy landscape from a window vantage showing grazing sheep. There are bright patches of red on backs of the Ewes indicating their owner as well as blue color on their backs. The ram's feet is placed into blue dye before they are put into the field with the Ewes so that farmers can tell when Ewes were serviced. In The Locative and Vocative Case. -- Source of annotation: Marvin or Ruth Sackner.

Depicts the number "70" seventy times with different typefaces and sizes and overlays as homage to Gomringer's 70th birthday. In The Locative and Vocative Case. -- Source of annotation: Marvin or Ruth Sackner.

In The Locative and Vocative Case. -- Source of annotation: Marvin or Ruth Sackner.