Folder 69
Contains 19 Results:
L'Ecouteur Avale Un Oignon Ignonble , 1999
Also designated Affiche No.72. -- Source of annotation: Marvin or Ruth Sackner.
Signes-Ecritures dans l'Art Actual, 1985
[Artist in Residence] , 1972
Printed on a page of a newspaper, The Carillon, while Friedman was in an artist in residence at the Norman McKenzie Art Gallery in Saskatchewan. -- Source of annotation: Marvin or Ruth Sackner.
Revolutie, 1968
This is among the most widely reproduced concrete poems of Paul De Vree. The word "Revolutie," printed in a circular way in red color has been fractured across its middle and placed slightly to the right of its top half to give an optical sense of movement. -- Source of annotation: Marvin or Ruth Sackner.
Last Travel Poem, 1976
Boke Poems #1 , 1984
Boke Poems #2 , 1984
The Squadron, 1968
The poem consists of nine horizontally placed black colored hearts that simulate a group of flying airplanes. Their black color rather than conventional red is an anti-war protest (Vietnam). -- Source of annotation: Marvin or Ruth Sackner.
[Portrait of Marvin Sackner] , 1995
Marvin Sackner is photographed in front of Tom Phillips' "Curriculum Vitae" painting, and concrete poetic designs of the names Sackner, Phillips and Padin constitute the background configurations. -- Source of annotation: Marvin or Ruth Sackner.
[Portrait of Marvin Sackner] , 1995
Marvin Sackner is photographed in front of Tom Phillips' "Curriculum Vitae" painting, and concrete poetic designs of the names Sackner, Phillips and Padin constitute the background configurations. -- Source of annotation: Marvin or Ruth Sackner.
[Portrait of a Woman] , 1995
Le Voyage de Gulliver, 1987
This print is based upon the Artist Book of the same title. -- Source of annotation: Marvin or Ruth Sackner.