Text deals with the philosophical principles of the Ana Etcetera group of poets. -- Source of annotation: Marvin or Ruth Sackner.

Text deals with Marxism and Communism. -- Source of annotation: Marvin or Ruth Sackner. Title on front "Tesi Sulla Teoria." ed: CEND.

The poster printed on heavy glossy stock depicts an abstracted shape of a nude feminine torso with its surface covered by a grid of randomly selected typewritten letters. -- Source of annotation: Marvin or Ruth Sackner.

Prints were reproduced from a unique collage held by the Sackner Archive. This proof, according to the artist, is the penultimate proof run "before the real thing." Includes specific instructions for changes to the printer. -- Source of annotation: Marvin or Ruth Sackner.

The drawing on a heavy brown paper utilizes a grid of graphite inscribed squares that are filled in a random fashion with vividly painted letters and numbers. The latter appeared to have been laid out with a stencil and encompassed one to three square constellations. The attachment of meaning to the letters, numbers, and their lay-out is not readily apparent. -- Source of annotation: Marvin or Ruth Sackner.

Announces the first complete edition of reprints of Futurist Manifestos. A letter picture, sound poem by Fortunato Depero is the center of the poster. -- Source of annotation: Marvin or Ruth Sackner.

Depicts one of the self-portaits by Van Gogh but instead of impasto to create the image, Dupont uses different colored letters of the alphabet and overprints some sections. This is the same image on Dupont's exhibition announcement for Galerie Ariane Bomsel 1990. -- Source of annotation: Marvin or Ruth Sackner.

Depicts one of the self-portraits of Van Gogh but instead of impasto to create the image, Dupont uses different colored letters of the alphabet with some sections overprinted. -- Source of annotation: Marvin or Ruth Sackner.