Although the artists were not part of the New Realism group, the iconography of the decollages is in the spirit of that movement. The edition size is 30 but the individual works themselves are unique. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this issue deals with pages of a book. -- Source of annotation: Marvin or Ruth Sackner.

The facing pages of the books have a text on the right side with a print from a black and white line drawing on the left side. -- Source of annotation: Marvin or Ruth Sackner.

This anthology Includes reprints of a selection of curry's publishing activities focusing on his rubberstampings of minimalistic and concrete poems of his own and his circle of poets. Dean comments: this making precious of the single poem was the result of necessity as much as esthetic deliberation; curry published within a finite small budget. This could have caused poor-quality production, i.e. Gestetner, offset or xerox. Instead it resulted in hand-stamp, hand-set rubber type, as his chosen (& unique) means of publication. His scaled down book remained both anarchic and typographically refined. -- Source of annotation: Marvin or Ruth Sackner.