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Box 318

 Container

Contains 33 Results:

Parole + Segni in Liberta, 1981

 Item — Box: 318
Identifier: CC-25124-25577
Scope and Contents

Contains Futurist poems depicting portraits of several artist/poets. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

Hebrew Micrography: One Thousand Years of Art in Script , 1981

 Item — Box: 318
Identifier: CC-26371-26838
Scope and Contents

The author writes, "Israeli artist Jacob El-Hanani has created his own variation on calligram micrography in his Constructivist style, using minute cursive Hebrew script to form a textured carpet of writing. Although the result differs from the traditional micrograph and calligram, his perseverance proves El-Hanani to be a true descendant of the Medieval masorah scribe." The Sackner Archive holds a work like Arvin has described. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

Livre Impubliable: Concerto, 1975

 Item — Box: 318
Identifier: CC-25894-26355
Scope and Contents

Exhibited in Visualog 2, San Luis Obispo, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

Journal Impubliable, 1975

 Item — Box: 318
Identifier: CC-25895-26356
Scope and Contents

Exhibited in Visualog 2, San Luis Obispo, California an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

Livre Impubliable: Premiers Approches De La Ville, 1975

 Item — Box: 318
Identifier: CC-25896-26357
Scope and Contents

Exhibited in Visualog 2, San Luis Obispo, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

Livre Impubliable: Premiers Approches De La Ville, 1975

 Item — Box: 318
Identifier: CC-25897-26358
Scope and Contents

Exhibited in Visualog 2, San Luis Obispo, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

Journal Impubliable, 1982

 Item — Box: 318
Identifier: CC-25898-26359
Scope and Contents

Exhibited in Visualog 2, San Luis Obispo, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982

Cooked Books , 1983

 Item — Box: 318
Identifier: CC-25899-26360
Scope and Contents

Exhibited in Visualog 2, San Luis Obispo, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

Letter to John Furnival (1), 1971

 Item — Box: 318
Identifier: CC-25720-26180
Scope and Contents

Arias-Misson describes his current activities with ZAJ and explains his music score poem "La Solitude Sonore." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971

Letter to John Furnival (2), 1971

 Item — Box: 318
Identifier: CC-25722-26182
Scope and Contents

Arias-Misson indicates that he wishes to change dedication of his music score "La Solitude Sonore" to D.S.H. (Dom Sylvester Houedard). -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971

A Mad Diarist , 1984

 Item — Box: 318
Identifier: CC-25073-25526
Scope and Contents

This work was submitted to a mail art show,"Homage To A Mad Diarist," curated by John Pyros. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

An Only Kid , 1990

 Item — Box: 318
Identifier: CC-25606-26064
Scope and Contents

This book dealing with the Passover song, Chad Gadya, was inspired by the work of El Lissitzky. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Trasparenze Reciproche, 1995

 Item — Box: 318
Identifier: CC-26855-27325
Scope and Contents

Produced on the occasion of an exhibition at Galleria Derbylius in Milan. The collage is a cut-out celluloid angel onto which Arias-Misson has written a poem. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995