Box Ahe-Alt
Contains 68 Results:
Vista de la Catedral (details), 1960
Winterhalter's Painting of Eugenie , 1932
Montserrat Alberich Escardivol at her Typewriter, 1950
Untitled (2), Unknown
The Book of First Books, 1978
Second edition listing of first books by 2000 American and British writers. -- Source of annotation: Marvin or Ruth Sackner.
Duchess of Devonshire by Thomas Gainsborough, 1932
According to an article in Life Magazine July 20, 1953, the artist (1912-1973) worked in the 1930s to 1950s as a typist in the Barcelona police department. Coming home to her apartment after work, she sat down at an old Underwood typewriter and made true images from copies of old paintings and photographs using 17 different colored ribbons and a mixture of letters and punctuation marks without requiring brush or pencil retouching. She typed on gesso coated canvas. The vividly colored typewriter pictures were commissioned by Barcelona art patrons. An internet search failed to uncover any of her work in Spanish museums. The individual typewriter characters were often blurred by the varnish finish sprayed on the completed pictures. -- Source of annotation: Marvin or Ruth Sackner.
Terry Allen: Nov. 1-22 at the John Weber Gallery, 1986
SIGNOS 11, 1973
O No.F, 1965-1966
visual poem 03-22-10 , 2010
visual poem 03-23-10, 2010
The Bus, 1996
Visual Poetry Collaboration. No.4, 2002
Leftwich formed the letters with charcoal frottage, Altemus with rubberstamping. Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Collaboration. No.5, 2002
Leftwich formed the letters with charcoal frottage, Altemus with xerox images. Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Fish, 2007
A2, 2008
A2 (second copy), 2008
[Constructivist Letter Picture 1], 2008
Construction Debris #3, 1997
A newspaper article entitled "Construction debris" is progressively distorted by repeated photocopyings and then progressively enlarged such that the last page appears as a small section of distorted dashes. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Collaboration. No.18, 2002
Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.