This in one of several rubberstamped prints published as a series by Parisol Press. Andre rubberstamped the number 0220 on the blank paper. -- Source of annotation: Marvin or Ruth Sackner.

This a reprint of the catalogue first published in 1969. -- Source of annotation: Marvin or Ruth Sackner.

The typed carbon of "Conquest Display" illustrated on page 58 was held by the Sackner Archive and subsequently sold. -- Source of annotation: Marvin or Ruth Sackner.

Text has been enlarged several times its orignal size by repeated passages through Xerox machine. -- Source of annotation: Marvin or Ruth Sackner.

Includes "Make Something Differently," "The erotic is pleasure seeking its coherence," "Towards a new alphabet," and other photocopied work, including a message from Miekal And.

Andre superimposed a drawing for a floor sculpture on a graph paper, printed grid. Zaj was a Spanish fluxus-like group of artists/poets. This print is depicted in Encuentro De Pamplona 1972, a catalogue held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The verso depicts a reproduction of a Camel cigarette pack. -- Source of annotation: Marvin or Ruth Sackner.

Carl Andre writes to Ruth and Marvin Sackner, "Ana Mendieta & I wish to thank you very much for the wonderful evening you shared with us in Miami. Your collection & archive are truly of the aesthtic & historic first rank. It is so rare to find such depth in an American collection." -- Source of annotation: Marvin or Ruth Sackner.

Carl Andre writes to Ruth and Marvin Sackner, "Thank you for forwarding the bibliography of your monumental collection. It was such a great pleasure to meet you & to see the great works & publications which you have gathered together. Thank you also for helping to make Ana's & my stay in Miami so delightful & rewarding." -- Source of annotation: Marvin or Ruth Sackner.

This essay traces the history of concrete and visual poetry through time and geography, including poesia visiva, fluxus, lettrisme, futurism, pattern poetry, constructivism and vorticism. It was written as an introduction to an exhibition catalogue of the four artists/poets. -- Source of annotation: Marvin or Ruth Sackner.

This review of the exhibition "Carl Andre: Sculpture as Place, 1958- 2010" at Dia: Beacon is by Holland Cotter. It describes how "Writing poetry was Mr. Andre's initial calling...Even if he had not gone on to art, the poetry would be of interest. And in it, the sculptor-to-be is already evident. Mr. Andre has referred to his poems as 'typewriter drawings' and, in the spirit of Concrete poetry, their shape on the page is crucial to their effect." -- Source of annotation: Marvin or Ruth Sackner.