The work consists of an artist book and a cardboard, constructivistic relief. -- Source of annotation: Marvin or Ruth Sackner.

The hand crafted tiles are crafted of plaster finished to a porcelian-like quality , cracked to create an aged look and feel. -- Source of annotation: Marvin or Ruth Sackner.

The hand crafted tiles are crafted of plaster finished to a porcelian-like quality , cracked to create an aged look and feel. -- Source of annotation: Marvin or Ruth Sackner.

The hand crafted tiles are crafted of plaster finished to a porcelian-like quality , cracked to create an aged look and feel. -- Source of annotation: Marvin or Ruth Sackner.

The hand crafted tiles are crafted of plaster finished to a porcelian-like quality , cracked to create an aged look and feel. -- Source of annotation: Marvin or Ruth Sackner.

This duplicates the correspondence for the exhibition archive and includes letters and cards by Arakawa, George Brecht, Tenny Duchamp, Ovind Fahlstrom, Ray Johnson, Allan Kaprow, Alison Knowles, Ron Kitaj, Gianni Simonetti, and Wolf Vostell. There are drawings by Baruchello, Mary Bauermeister, George Brecht, and James Nutt, and a collage by Granni Simonetti that deals with plans for assembling the found objects to be placed in a plexiglas box by museum personnel. The box is also accompanied by the catalogue of the exhibition. -- Source of annotation: Marvin or Ruth Sackner.