Box 327
Contains 38 Results:
All My Rubber Stamps (all together now) , 2010
Stickerman's Secret Congress: An Hommage to GAC , 1992
In the photograph, Baroni is shown as he covers his wife with labels which read Networker Congress. The verso contains remnants and the flag-like ornament from the top of the helmut. This work is an homage to G.A. Cavellini. -- Source of annotation: Marvin or Ruth Sackner.
Be Thankful You Can See, 1994
Each page depicts the same image progressively enlarged from a microscopic size to cover the entire page through the xerox technique. It is reminiscent of Emmett Williams' xerox experiments carried out in 1979. Manuscripts from the latter period are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Homage to George Lott, 1997
George Lott was an American soldier in WWII whose wounding in battle was published by Life magazine. Because of this publicity, he received over 3000 letters. Baroni's homage consists of collaging two paper, addressed envelopes from mail he received to each of 10 pages and both covers and adding band-aids or adhesive tape to them. -- Source of annotation: Marvin or Ruth Sackner.
Aenigmatic Wrinkles, 1997
A photocopied image of the face of Mona Lisa is built up in four pages from the abstract to the visible. The facing pages have childlike handwritten phrases possibly done by Baroni's son. -- Source of annotation: Marvin or Ruth Sackner.
The State of the Arts: A Networking Questionnaire, 1999
Baroni publishes the response to questions posed to correspondence artists concerning avant garde art and artists. -- Source of annotation: Marvin or Ruth Sackner.
Pocket Calculator Poems, 1988
Five prints referred to in book are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Book 1980, 1980
The front cover on yellow paper stock has words, "baroni & pachetti" rubberstamped and the back cover "Book 1980." -- Source of annotation: Marvin or Ruth Sackner.
The Worst Moment Is When You Realize That You Can't Change the Course of Art History, 2009
The collaged card depicts a photograph of Vittore and an unknown man seated and reading books. -- Source of annotation: Marvin or Ruth Sackner.
Writers Block, 2008
Le Parole per Dirlo, 2010
Imaggio a Miccini , 2010
Damned to be an Iconoclast, 2000
The captioned rubberstamped words "Tira e Da-Da Vinci. Homo Hominis Target" refer to an upright moving man on a target background. -- Source of annotation: Marvin or Ruth Sackner.
Ex Libris, 1990
Bad Breath Babble, 1991
You Are Watching an Ongoing Sticker Performance, 1992
Artistamp Statement for Anna Banana's Artistamp News, 1992
Baroni discusses his beginnings as a stamp and correspondence artist and Arte Postale. He mentions collaborative texts for a CD and floppy dics, and a book project in 1993. -- Source of annotation: Marvin or Ruth Sackner.