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Box 327

 Container

Contains 38 Results:

Stickerman's Secret Congress: An Hommage to GAC , 1992

 Item — Box: 327
Identifier: CC-23493-23938
Scope and Contents

In the photograph, Baroni is shown as he covers his wife with labels which read Networker Congress. The verso contains remnants and the flag-like ornament from the top of the helmut. This work is an homage to G.A. Cavellini. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Be Thankful You Can See, 1994

 Item — Box: 327
Identifier: CC-24093-24545
Scope and Contents

Each page depicts the same image progressively enlarged from a microscopic size to cover the entire page through the xerox technique. It is reminiscent of Emmett Williams' xerox experiments carried out in 1979. Manuscripts from the latter period are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Homage to George Lott, 1997

 Item — Box: 327
Identifier: CC-29133-30478
Scope and Contents

George Lott was an American soldier in WWII whose wounding in battle was published by Life magazine. Because of this publicity, he received over 3000 letters. Baroni's homage consists of collaging two paper, addressed envelopes from mail he received to each of 10 pages and both covers and adding band-aids or adhesive tape to them. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Aenigmatic Wrinkles, 1997

 Item — Box: 327
Identifier: CC-29503-30868
Scope and Contents

A photocopied image of the face of Mona Lisa is built up in four pages from the abstract to the visible. The facing pages have childlike handwritten phrases possibly done by Baroni's son. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

The State of the Arts: A Networking Questionnaire, 1999

 Item — Box: 327
Identifier: CC-33974-35646
Scope and Contents

Baroni publishes the response to questions posed to correspondence artists concerning avant garde art and artists. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Pocket Calculator Poems, 1988

 Item — Box: 327
Identifier: CC-22230-22652
Scope and Contents

Five prints referred to in book are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Book 1980, 1980

 Item — Box: 327
Identifier: CC-22251-22673
Scope and Contents

The front cover on yellow paper stock has words, "baroni & pachetti" rubberstamped and the back cover "Book 1980." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980

The Worst Moment Is When You Realize That You Can't Change the Course of Art History, 2009

 Item — Box: 327
Identifier: CC-49782-70836
Scope and Contents

The collaged card depicts a photograph of Vittore and an unknown man seated and reading books. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009

Damned to be an Iconoclast, 2000

 Item — Box: 327
Identifier: CC-37550-39407
Scope and Contents

The captioned rubberstamped words "Tira e Da-Da Vinci. Homo Hominis Target" refer to an upright moving man on a target background. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Artistamp Statement for Anna Banana's Artistamp News, 1992

 Item — Box: 327
Identifier: CC-23624-24071
Scope and Contents

Baroni discusses his beginnings as a stamp and correspondence artist and Arte Postale. He mentions collaborative texts for a CD and floppy dics, and a book project in 1993. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992