Scope and Contents

The prints are numbered in sequence on the verso. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Baroni explains this work in Arte Postale! No.74. He relates that he discovered mail art in 1977 and estimates that he exchanged a total of 32,850 mail art pieces. Since he found that he had insufficient space in his house to manage this material, he devised a scheme to turn the archive into a series of modular art pieces, ready to be hung flat or stored as an art book. The 32,850 mailings divided by 24 gives 1368 share-pieces, each arranged on a signed and numbered modular panel that includes 24 mail art letters tied with a red ribbon from the Ethereal Open Network (E.O.N.), a big color sticker with an enlarged networker statement (all different), a photo of the E.O.N. archive files, and one original mail art piece. The envelopes are tied with a ribbon and hot sealed in a plastic transparent folder, then mounted on a ready-to-hang cardboard folder. This finished product differs from Baroni's original description, viz., the sticker is absent and the letters are tied with a blue...

Scope and Contents

These prints were printed at the Fachhochchule Aachen first in May 1979 in an edition of 25 copies, then in August 1979 in 50 copies. The work is intended to be performed by two or more voices. They are stored together in a plastic envelope. In this copy, there is a duplicated 'U' print. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The image depicts Andryczuk's stylized version of Anartica. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The loose sheets are reproductions of drawings that Susan Baron made for her exhibition in Chicago. On the envelope she has written the following message to the Sackners: "a few not great xeroxes of micrography from Chicago show coming up - charcoal & carbon pencil on paper mostly - lots of black birds = Kafka show = The Writing on the Wall. PLZ DO NOT BEND" -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is a variant of the title page for Adler's Vowel Jubilee; the subtitle 'For Haddock & Rosebush' was removed from the title page of the commercially distributed suite of prints. -- Source of annotation: Marvin or Ruth Sackner.