Abstract markings
Found in 10 Collections and/or Records:
[abstract composition 2] (????65) / Houedard, Dom Sylvester., 1965
E / E Poem (300663) / Houedard, Dom Sylvester., 1963
In addition to two 'E's,' this typing is constructed with slashes and dashes. -- Source of annotation: Marvin or Ruth Sackner.
great cultural revolutionary medical pekinese protest stove (250569) / Houedard, Dom Sylvester., 1969
This typing caotures the feeling of a revolution or motion with a grouping of parentheses resembling a cloud of smoke eminating from a large block of slashes and dashes in front of a second constructivistic block. -- Source of annotation: Marvin or Ruth Sackner.
[OM] 250764[CR]]O (250764) / Houedard, Dom Sylvester., 1964
This typing consists of a circle of red typed letters and several fragments of red typed lines. The background is blue and hazy. OM is typed in the center of the paper. -- Source of annotation: Marvin or Ruth Sackner.
[Our Lady Abstraction 5] / Houedard, Dom Sylvester., 1953
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
[Our Lady Abstraction 6] / Houedard, Dom Sylvester., 1953
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
[Our Lady Abstraction 7] / Houedard, Dom Sylvester., 1953
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
PM / Houedard, Dom Sylvester., 1968
The initials refer to Pat Morrissey, the Director of the Bear Lane Art Gallery in Oxford England. -- Source of annotation: Marvin or Ruth Sackner.
Tugfflavas and Ignimbrites / Houedard, Dom Sylvester., 1967
Vita Communi / Houedard, Dom Sylvester., 1952
In the image it appears like people are sharing bread. According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.