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Abstract markings

 Subject
Subject Source: Sackner Database

Found in 1066 Collections and/or Records:

Diario 1973 / Vittore Baroni., 1984

 Item
Identifier: CC-21846-22257
Scope and Contents

Photographic image of Baroni on front cover; book cannot be opened. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Die unsichtbaren Zeichnungen Stephane Mallarme / Fraenkel, Ernest ; Schuldt ; Mallarme S., 1998

 Item
Identifier: CC-44800-46969
Scope and Contents

This work consists nine, unbound, folded prints which contains 68 plates each related to a page of Mallarme's Un Coup de Des. The interpretations are similar in concept to Marcel Broodthaers work (also held by the Sackner Archive) in which each phrase of the poem is cancelled with a solid black rectangle. In Fraenkel's interpretation, from the 1897 Cosmopolis version, the spaces between the cancelled text are reconstructed with hand-drawn markings. In the Schult modification of Fraenkel's presentation, varied colors rather than black are utilized. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Digital Canto / Figueiredo, Cesar., 1989

 Item
Identifier: CC-12845-13132
Scope and Contents

Composed of rows of finger prints within a grid. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Divide Denmark/Del Danmark / Pedersen, Knud., 1972

 Item
Identifier: CC-50372-71440
Scope and Contents Pedersen is cited four times in Fluxus Codex as a producer of Fluxus material. "Divide Denmark" is not mentioned. Wikipedia: Knud Pedersen was born in 1925, in the small Danish town of Grenå. His career as a public figure started in 1942, when he, together with nine other young Danes, founded the resistance group Churchill Klubben (The Churchill Club). After the war, he turned to the world of arts and culture when he excelled as an organiser. After many a sabotage action and the best part of World War II spent in prison, Pedersen turned to the arts, partly as an artist, but mainly as an organiser. His dream was to make art available to everyone, and to this end he launched several projects. In 1952 he got permission from the authorities to set up Byens billede, the Picture of the City, an empty frame in which paintings could be exhibited. In 1957 he founded his Kunstbibliotek, or Art Library, an art rental space where people could rent a painting for the price of a packet of...
Dates: 1972

Domestic Ambient Moise [April 1995] / Upton, Lawrence ; Cobbing, Bob., 1995

 Item
Identifier: CC-52210-73332
Scope and Contents

Two facing pages depict thickened wavy lines with large spherical-like black shapes. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995