Cross altered the pages of Webster's 1913 edition of the dictionary leaving "found words" to comprise a new poetry. In this sense, her work is similar to the artistic process employed by Tom Phillips in his book, A Humument. In this print, the page defining the word, "expire" has been altered by covering most of the words with images having indistinct features of human faces, perhaps to symbolize the vanishing of life. -- Source of annotation: Marvin or Ruth Sackner.

Adler has used red, yellow and black colors to create an abstract alphabet formed from inked, constructivistic-like, line drawings on each of the pages of this leaflet. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of abstract markings and the word "FEEL," which is depicted in negative typeface, a contradiction. -- Source of annotation: Marvin or Ruth Sackner.

Baroni indicates on a collaged printed element that this work arose from daily visits with his son, Giovanni, over a week's time to a public park near his home. Giovanni asked Vittore to take photographs of various scenes in the park. Vittore wrote t he composed texts on his PC as a subsequent chain of thought process remembering this experience. Giovanni did some wild scribblings with crayons which Vittore arranged as part of a 9 panel grid in three collages, together with photographs and texts. -- Source of annotation: Marvin or Ruth Sackner.

Manuscript is accompanied by a letter written in German by Brown dated June 11, 1976 explaining his method of interpreting Christian Morgenstern's "Fisches Nachtgesang." -- Source of annotation: Marvin or Ruth Sackner.

Beaulieu made this book by tracing a line to each letter of Abbott's book "Flatland. -- Source of annotation: Marvin or Ruth Sackner.

In the afterward, Marjorie Perloff refers to E.A. Abbot's "Flatland, originally published in 1884 and reprinted by Princeton University Press in 1991. The Victorian Abbot invents a two-dimentional universe inhabited entirely by polygons. beaulieu's writing-through of this whimsical tale immediately brings to mind Tom Phillips's 'A Humument', but there is, in fact, little similarity between the two texts. For whereas Phillips's treated book foregrounds and reframes particular passages in his source text, W.H. Mallock's 'A Human Document', producing delicious parodies, cartoon narratives, double entendres and sexual punning, beaulieu's 'Flatland' contains no words whatsoever - indeed, not even the letters of the alphabet, much less ideograms or symbols." -- Source of annotation: Marvin or Ruth Sackner.

In the afterward, Marjorie Perloff refers to E.A. Abbot's "Flatland, originally published in 1884 and reprinted by Princeton University Press in 1991. The Victorian Abbot invents a two-dimentional universe inhabited entirely by polygons. beaulieu's writing-through of this whimsical tale immediately brings to mind Tom Phillips's 'A Humument', but there is, in fact, little similarity between the two texts. For whereas Phillips's treated book foregrounds and reframes particular passages in his source text, W.H. Mallock's 'A Human Document', producing delicious parodies, cartoon narratives, double entendres and sexual punning, beaulieu's 'Flatland' contains no words whatsoever - indeed, not even the letters of the alphabet, much less ideograms or symbols." -- Source of annotation: Marvin or Ruth Sackner.

This poem also appears in Cobbing's book, Northwest Territories. -- Source of annotation: Marvin or Ruth Sackner.

This book is based upon an envelope that Cobbing received from the African-American poet, Bill Keith. -- Source of annotation: Marvin or Ruth Sackner.