Abstract markings
Found in 1067 Collections and/or Records:
gag order / Segay, Serge ; Freeman, Jesse., 2006
Freeman was responsible for textural poems and Segay for the abstract markings and punctuation poems in this collaboration. -- Source of annotation: Marvin or Ruth Sackner.
Galosh Encounters / Cobbing, Bob ; Upton, Lawrence., 1996
Game & Set, 1987
GAP: Sha(u)nt Basmajian. / Greg Evason., 1990
GAP signifies Guardian Angel Press. This was done as a memorial poem for Sh(a)nt and was taken from "portrait in words." -- Source of annotation: Marvin or Ruth Sackner.
GAP: Still # "X" 30. Sax. No.13/May / Greg Evason., 1990
Gedraag Je Als Een Aap / Vleeskens, Cornelis ; Ritt, Paul., 2004
Geryon (The Monster of Fraud) [from Dante's Inferno], 1979
Gilta Streicher (illegible) / Rehfeldt, Robert., 1986
glossolalie un hallali langage tangage / Cobbing, Bob., 1997
This book presents four poems performed by Bob Cobbing in 1964, 1970 and 1979. -- Source of annotation: Marvin or Ruth Sackner.
Go Book 28 / Armeaux, Jean-Pierre., 1970
This is also designated Poetry Newsletter Special Issue (PNSI) # 6. The mimeographed reproductions of woodblock prints that depict progressive dissolution of a solid square on the pages were done by Wally Depew. Two copies are stored in a Wally Depew and another in box booklets A boxes. -- Source of annotation: Marvin or Ruth Sackner.
Go Book 32 / Armeaux, Jean-Pierre., 1970
This is also designated Poetry Newsletter Special Issue (PNSI) # 10. The mimeographed reproductions of woodblock prints that depict progressive penetration of a tubular hollow structure into a solid square on the pages were done by Wally Depew. Two copies are stored in a Wally Depew and another in box booklets A boxes. -- Source of annotation: Marvin or Ruth Sackner.
Go Book: And. No.27 / Wally Depew., 1973
As with other Depew books, the page count includes the blank side of the page, e.g., 24 leaves equals 48 pages. In this book, Depew has taken a single abstract woodcut image and manipulated it on the pages as one to four juxtaposed images. -- Source of annotation: Marvin or Ruth Sackner.
Go Book: Continue. No.32 / Jean-Pierre Armeaux., 1970
As with other Depew books, the page count includes the blank side of the page, e.g., 24 leaves equals 48 pages. In this book, Depew has taken a single woodcut black square with a squiggley white tube piercing it and rubberstamped one letter of the title on right edge of each page. The cover depicts a green and red woodcut oolored abstract design on beige papercard. -- Source of annotation: Marvin or Ruth Sackner.
Go Book: G260. No.26 / Wally Depew., 1973
As with other Depew books, the page count includes the blank side of the page, e.g., 24 leaves equals 48 pages. In this book, Depew has taken a single abstract woodcut image and manipulated it on the pages as one to three connected images. -- Source of annotation: Marvin or Ruth Sackner.
Go Book: G260 Preparatory Layout. No.26 / Wally Depew., 1973
As with other Depew books, the page count includes the blank side of the page, e.g., 24 leaves equals 48 pages. Depew provides instructions for the book's layout. -- Source of annotation: Marvin or Ruth Sackner.
Go to Goa! / Cobbing, Bob ; Upton, Lawrence., 1996
Golliwog's Cake Walk / Fidler, Martin; Cutts, Simon., 1971
Great Bear Pamphlet, A: Injun & Other Histories (1960). No.4 / Claes Oldenburg., 1966
Includes reproductions of two drawings. -- Source of annotation: Marvin or Ruth Sackner.
great cultural revolutionary medical pekinese protest stove (250569) / Houedard, Dom Sylvester., 1969
This typing caotures the feeling of a revolution or motion with a grouping of parentheses resembling a cloud of smoke eminating from a large block of slashes and dashes in front of a second constructivistic block. -- Source of annotation: Marvin or Ruth Sackner.