Abstract markings

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Our Lady Abstraction 6] / Houedard, Dom Sylvester., 1953

Item

Identifier: CC-55362-555333

Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Our Lady Abstraction 7] / Houedard, Dom Sylvester., 1953

Item

Identifier: CC-55363-753226

Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Out of Hand / Cobbing, Bob., 1989

Item

Identifier: CC-17652-18020

Dates: 1989

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

outrageous and unprovoked discourtesy and poisonous cheesecake / Upton, Lawrence ; Cobbing, Bob ; Burroughs WS., 1997

Item

Identifier: CC-45237-47422

Dates: 1997

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Paesaggi Nervosa / Crash., 1990

Item

Identifier: CC-10730-10939

Scope and Contents

Crash aka Franco Piri Focardi. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets (unprocessed)

Page 32, 1992

Item

Identifier: CC-26476-26945

Scope and Contents

In 2001, an article in The New York Times revealed that Avi Adler runs a posh party planning company in NYC. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Pantabox 69 / Carrega, Ugo, editor ; Kemeny T ; Moineau JC ; Bentivoglio M ; Claus CF ; Casamassima M ; Rocher G ; Claus CF ; Accame V ; Alloatti A ; Locatelli U ; Perfetti M ; DeVree P ; Cobbing B ; Gerz J ; Lax R ; Mund Hjr ; Carrega U ; Mayer P ; Scalise G ; Clavin H ; DeVries H ; Breakwell I ; Blaine J ; DiDonato J ; Millan F ; Zabala F ; Alviani G ; Gorra L ; Agosti M ; Cyprich R ; Jancia B ; Landi M., 1970

Item

Identifier: CC-52398-73523

Scope and Contents

Some works in this anthology are also held as individual works by the Sackner Archive, e.g., Di Donato's "9 Actions," Bentivoglio's "Monumento," Kemeny's "Quando," and Moineau's "Examplaire." A card by Gerald Rocher "Film" that is also held the Sackner Archive is included in this anthology. Carrega contributed a booklet periodical entitled "minitool No.1;" this might have been the sole issue. The particularly striking works included in Pantabox 69 are Michelle Perfetti's "Spray" and Robert Cyprich's calligraphic lithographic print. The cardbox housing the material is torn in several places but is still functional. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

[Parole autophone...] / Altagor., 1963

Item

Identifier: CC-57440-10000732

Scope and Contents

At the margins of the French lettriste movement as he knew Isou and Dufrene, Altagor (pseudonym of Jean Vernier1915-1982) formerly a mechanic and miner, then writer of thrillers, created 'Métapoésie' poetry composed of invented words, therefore abstract. Also an instrument builder, he accompanied his poetry readings on the pantophone, a stringed, bowed instrument. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)