Abstract markings
Found in 1067 Collections and/or Records:
qbdp: The map of my alphabet. No.104/Nov / Geof Huth., 2005
qbdp: The slightest of attempts in umber crayon. No.98/Sep / Geof Huth., 2005
The recto of this card depicts a faint drawing on a gray background. -- Source of annotation: Marvin or Ruth Sackner.
qbdp: The Wind's Flame. No.102/Oct / Geof Huth., 2005
qbdp: untitled. No.82/Aug / Geof Huth., 2005
Rag Rug / Upton, Lawrence ; Cobbing, Bob., 1996
The images are folded, black and white pictures of a rag rug. -- Source of annotation: Marvin or Ruth Sackner.
Rainbow Orgasm / Corner, Philip; Chomarat M., 1977
The prints, each consisting of an abstract image with a single color, were printed on transparent celluloid. The overlapping of these images seen through the transparent celluloid produces the rainbow alluded to in the title of the piece. The work was acquired from Rossana Chiessi, the owner of Pari & Dispari. -- Source of annotation: Marvin or Ruth Sackner.
Rara Avis, 1967
This drawing was removed from a page in Furnival's Liber Amicorum, 1964-1984. -- Source of annotation: Marvin or Ruth Sackner.
Re: Views: Re: Sponses: A Review of Charles Bukowski's Poems Written before Jumping out of an 8 Story Window 1968 / curry, jw; Bukowski C., 1982
This is a collage of a page for the book of the above title. -- Source of annotation: Marvin or Ruth Sackner.
real estate and pirate arts / Cobbing, Bob ; Upton, Lawrence., 1996
[rear view head] / Nikonova, Rea., 1990
Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.
Rechtsschreibung / Gerz, Jochen., 1968
The English translation of the German word, 'Rechtschreibung' is 'spelling.' Gerz has deliberately misspelled the word as 'Rechtsschreibung,' i.e., with an extra 's.' This might be a pun on the word, 'Rechtsbeugung,' a closely related word which means perversion (misspelling?) of the course of justice. The typed page but not the altered negative is designated No.485 in Gerz's Catalogue Raisonne Volume III. -- Source of annotation: Marvin or Ruth Sackner.
[red & white wavy lines] / Miglietta, Enzo., 1971
This is the earliest work by Niglietta held by the Sackner Artchive. -- Source of annotation: Marvin or Ruth Sackner.
Reef Points: Banff Zulu / Finlay, Ian Hamilton., 1996
This is one of a suite of seven prints, which are almost identical in layout, except for orientation of the abstract markings, lines which are cross-hatched or solid and colors of background. The background color of this print is orange. The symbolism of this picture poem is not clear to one who is not knowledgeable about sailing boats. -- Source of annotation: Marvin or Ruth Sackner.
Reef Points: Campbeltown Zulu Skiff / Finlay, Ian Hamilton., 1996
This is one of a suite of seven prints, which are almost identical in layout, except for orientation of the abstract markings, lines which are cross-hatched or solid and colors of background. The background color of this print is brownish-purple. The symbolism of this picture poem is not clear to one who is not knowledgeable about sailing boats. -- Source of annotation: Marvin or Ruth Sackner.
Reef Points: Manx Nobby / Finlay, Ian Hamilton., 1996
This is one of a suite of seven prints, which are almost identical in layout, except for orientation of the abstract markings, lines which are cross-hatched or solid and colors of background. The background color of this print is greenish-gray. The symbolism of this picture poem is not clear to one who is not knowledgeable about sailing boats. -- Source of annotation: Marvin or Ruth Sackner.
Reef Points: Mounts Bay Pilchard Boat / Finlay, Ian Hamilton., 1996
This is one of a suite of seven prints, which are almost identical in layout, except for orientation of the abstract markings, lines which are cross-hatched or solid and colors of background. The background color of this print is orange-brown. The symbolism of this picture poem is not clear to one who is not knowledgeable about sailing boats. -- Source of annotation: Marvin or Ruth Sackner.
Reef Points: St Ives Mackerel Driver / Finlay, Ian Hamilton., 1996
This is one of a suite of seven prints, which are almost identical in layout, except for orientation of the abstract markings, lines which are cross-hatched or solid and colors of background. The background color of this print is gray. The symbolism of this picture poem is not clear to one who is not knowledgeable about sailing boats. -- Source of annotation: Marvin or Ruth Sackner.
Reef Points: West Country Gaffer / Finlay, Ian Hamilton., 1996
This is one of a suite of seven prints, which are almost identical in layout, except for orientation of the abstract markings, lines which are cross-hatched or solid and colors of background. The background color of this print is red-orange. The symbolism of this picture poem is not clear to one who is not knowledgeable about sailing boats. -- Source of annotation: Marvin or Ruth Sackner.
Reef Points: Yarmouth Lugger / Finlay, Ian Hamilton., 1996
This is one of a suite of seven prints, which are almost identical in layout, except for orientation of the abstract markings, lines which are cross-hatched or solid and colors of background. The background color of this print is grayish-green. The symbolism of this picture poem is not clear to one who is not knowledgeable about sailing boats. -- Source of annotation: Marvin or Ruth Sackner.
Reef Ropes / Finlay, Ian Hamilton ; Hincks, Gary., 1996
The poem depicts grids of slightly curved lines on three facing pages with brown, orange and red backgrounds. -- Source of annotation: Marvin or Ruth Sackner.