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Abstract markings

 Subject
Subject Source: Sackner Database

Found in 1066 Collections and/or Records:

[Untitled] / Gross, Roni., 1998

 Item
Identifier: CC-36014-37784
Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Untitled] / Haj., 1981

 Item
Identifier: CC-09540-9730
Dates: 1981
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Untitled / Helmes, Scott., 2016

 Item
Identifier: CC-61950-10004410
Dates: 2016
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Untitled] / Helmes, Scott., 1991

 Item
Identifier: CC-09222-9403
Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Untitled] / Hotzel, Hans Dirk., 1981

 Item
Identifier: CC-49658-70711
Scope and Contents

This drawing on black heavy paper depicts a central grid of incised vertical rectangles (I's) with white highlights where the incision was deep as well as calligraphic markings. Abstract incised lines surround the central grid. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Untitled I] / DiMichele, Bill., 1990

 Item
Identifier: CC-16403-16753
Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Untitled II] / DiMichele, Bill., 1990

 Item
Identifier: CC-16404-16754
Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Untitled] / Kyu, Oan., 2003

 Item
Identifier: CC-43124-45179
Scope and Contents

The artist writes gestural markings on surfaces of the paintings with handground black ink pigment. the work is related to musical notation. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2003
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

[Untitled] / Mon, Franz., 1987

 Item
Identifier: CC-05750-5858
Dates: 1987
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Untitled] / Muga, Juan de., 1991

 Item
Identifier: CC-06203-6317
Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets (unprocessed)

[Untitled] / Mullican, Lee ; Hirschman J., 1965

 Item
Identifier: CC-05774-5882
Scope and Contents

Hirschman is the author of a critical essay on Mullican's work. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

[Untitled] / Murakami, Kazunori., 1988

 Item
Identifier: CC-05825-5935
Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Untitled] / Murakami, Kazunori., 1988

 Item
Identifier: CC-05826-5936
Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Untitled] / Nikonova, Rea., 1992

 Item
Identifier: CC-05630-5737
Scope and Contents

The image appears to have been made by automatic writing. The verso is a poster announcement for a musical & literary soiree organized by Serge Segay & Rea Nikanova. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Untitled] / Poets. Painters. Composers.., 1985

 Item
Identifier: CC-04041-4119
Dates: 1985
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Untitled] / Poets. Painters. Composers.., 1985

 Item
Identifier: CC-04047-4125
Dates: 1985
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Untitled] / Salzberg, Brian., 1990

 Item
Identifier: CC-02040-2077
Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

[Untitled] / Spacagna, Jacques., 1960

 Item
Identifier: CC-42286-44296
Scope and Contents According to Frederic Aquaviva in a personal communication to the Sackners, this may be the first print done by Spacagna. Wikipedia: n 1953, Jacques Spacagna wrote his first manuscript remained unpublished: The trip itox and publishes Why I externiste in the journal The uprising Youth No. 7 (who also edited the first text of Yves Klein ). He also made his first figurative works. In 1954, he met Raymond Hains and Jacques Villeglé. In 1955, he was filmed by Orson Welles reciting a poem Lettrist Isidore Isou with Maurice Lemaître and tsu at the Bookstore Fischbascher as part of a documentary series for British television. In 1957 and 1958 he was a soldier in Algeria. Henri Chopin publishes one of his texts in his journal Fifth Season. Jacques Spacagna meeting in 1959 his first wife, Aude Jessemin. In 1961, the first exhibition: Other Rives gallery The sun in the head. First Lettrists works at the Galerie Weiller with tsu, Pomerand, Wolman and Lemaitre. First public recital of his...
Dates: 1960
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Untitled] / Tarlatt, Ulrich., 1998

 Item
Identifier: CC-29595-30966
Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Untitled] / Tarlatt, Ulrich., 1993

 Item
Identifier: CC-33777-35442
Dates: 1993
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

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