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Abstract markings

 Subject
Subject Source: Sackner Database

Found in 1066 Collections and/or Records:

Visual Poetry Collaboration. No.26 / Reed Altemus ; Spencer Selby., 2002

 Item
Identifier: CC-41122-43103
Scope and Contents

Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

Visual Poetry Collaboration. No.27 / Reed Altemus ; Spencer Selby., 2002

 Item
Identifier: CC-41123-43104
Scope and Contents

Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

Visual Poetry Collaboration. No.28 / Reed Altemus ; Diane Bertrand., 2002

 Item
Identifier: CC-41124-43105
Scope and Contents

Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

Visual Poetry Collaboration. No.30 / Reed Altemus ; Diane Bertrand., 2002

 Item
Identifier: CC-41126-43107
Scope and Contents

Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

Visual Voices; Original and Translation; pages 138-139 / Weiss, Irving., 1994

 Item
Identifier: CC-57236-10000558
Scope and Contents

This poem is based upon Francesco Berni (1497?-1535), "Passeri e Beccafichi," translated by Lorna de' Lucchi. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Visual Voices; The Imp of the Idling Mind Disfigures Five Stanzas in the Silent Reading of a Long Poem; pages 110--111 / Weiss, Irving., 1994

 Item
Identifier: CC-56990-10000353
Scope and Contents

This poem is based upon Thomas Sackville (1536-1608), from the Induction to A Mirror for Magistrates. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Visual Voices Unpublished; Mona Poster Poem; page 27 / Weiss, Irving., 1994

 Item
Identifier: CC-57251-10000573
Scope and Contents

This poem is based upon Shelley, "Ozymandias" -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Vita Communi / Houedard, Dom Sylvester., 1952

 Item
Identifier: CC-55320-9999069
Scope and Contents

In the image it appears like people are sharing bread. According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1952

Vizualni Poezie / Prace Z Let 1983 - 2000 / Adamus, Karel., 2000

 Item
Identifier: CC-59742-10002798
Scope and Contents

The titles of poems in this catalogue are written un graphite by Adamus. The three visual images appear to relate to Zen. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Vocogramas / Pignatari, Decio., 1985

 Item
Identifier: CC-04680-4767
Scope and Contents

This is an artistic rendering of voice sound spectra for nine phonemes. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

Vout oreenie / Cobbing, Bob., 1997

 Item
Identifier: CC-44989-47165
Scope and Contents

Cobbing comments "Three of these visual poems published as triptych December 1979." The Sackner Archive holds these prints. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Water Works / Cobbing, Jennifer., 1978

 Item
Identifier: CC-17725-18094
Scope and Contents

Designated Chapbooks No.15. The author is also known as Jennifer Pike. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978

Wave-Land / Dardai, Zsuzsa., 2007

 Item
Identifier: CC-47314-50057
Scope and Contents

Reed Altemus is the publisher of Live Matter. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2007