Alphabetical text

Ganglia 5 Cent Mimeo Series: abcdE...(reprint). No.2 / Victor Coleman., 1998

Item

Identifier: CC-30943-32398

Scope and Contents

This is a facsimile of the 1965 first edition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Ganglia 5 Cent Mimeo Series: An Early Victor Coleman. No.2 / Victor Coleman., 1965

Item

Identifier: CC-30944-32399

Dates: 1965

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Ganglia 5 Cent Mimeo Series: Self-Contradiction. No.59 / bp Nichol., 1980

Item

Identifier: CC-36882-38715

Scope and Contents

This issue is part of Gronk Intermediate Series No.20 where it is stored. A separate copy is also stored in Ganglia 5 Cent Mimeo Series. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Ghost / Blei, Norbert., 1987

Item

Identifier: CC-23204-23643

Scope and Contents

Is the original image for page 85 in Blei's "Paint Me a Picture Make Me a Poem," a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Go Book: [Double Alphabet]. No.35 / Wally Depew., 1973

Item

Identifier: CC-54352-643240

Scope and Contents

As with other Depew books, the page count includes the blank side of the page, e.g., 24 leaves equals 48 pages. Each page depicts a letter of the alphabet in a large and small font in order until the letter 'K', e.g., AA, BB., CC, etx. Thereafter, the combinations depict JL, IM, HN, and GO. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Gone Wild: An Endangered Animal Alphabet / McLimans, David., 2006

Item

Identifier: CC-46012-48719

Scope and Contents

Marvin Sackner In a telephone conversation with David McLimans learned that McLimans had been active in the mail art network from the mid 1980's to the mid 1990's. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Great Ideas of Western Man / Danziger, Louis., 1965

Item

Identifier: CC-15692-16021

Dates: 1965

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Hadassah Magazine. No.1/Aug-Sep / Ardon M ; Castel M ; Avrin L ; Shahn B., 1989

Item

Identifier: CC-09020-9197

Scope and Contents

Leila Avrin's article "Arts and Letters" pp. 32-34 describes the creative Hebrew letter art of Ben Shahn Moshe Castel and Mordecai Ardon. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Hlas 2nd ed / Valoch, Jiri., 1966

Item

Identifier: CC-37771-39650

Scope and Contents

Designated Writers Forum #18. This is the second edition published in June 1967 and does not appear to differ in content from the first edition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Hlas / Valoch, Jiri., 1966

Item

Identifier: CC-37770-39649

Scope and Contents

Designated Writers Forum #18. This is the first edition published in February 1966. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Hommage a / Deisler, Guillermo., 1989

Item

Identifier: CC-14433-14742

Scope and Contents

Guillermo Deisler was born in 1940 and died in 1995. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Horizons: The Alphabet Project. No.3 / Diane Samuels., 1995

Item

Identifier: CC-28945-30276

Scope and Contents

Samuels discusses how she made the Alphabet Project. A unique book with the same title and content is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Horizontal Surfaces , 2010

Item

Identifier: CC-58795-10002024

Scope and Contents

Also Department of Critical Thought No. 3 and first edition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2010

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / BOOKS

How Do They Do It? A collection of wordplays revealing the sexual proclivities of man and beast / Aman, Reinhold., 1983

Item

Identifier: CC-24522-24975

Dates: 1983

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

How to Spell the Alphabet / Auerbach, Tauba., 2006

Item

Identifier: CC-46485-49214

Scope and Contents Amazon.com description: How arbitrary are the marks, analog and digital, used to express language, and where do they begin to muck it all up? This first book from Tauba Auerbach, Yes and Not Yes features over 20 new paintings and drawings that spring from those questions. They offer an excellent if roundabout answer: while letters are largely arbitrary, they are rich with abstract beauty and conceptual depth. In razor-sharp execution--which reveals her training as a sign painter--Auerbach's works on panel and paper update the abstract conceptual tradition, while retaining its intellectual rigor. Uppercase Insides and Numeral Insides recall Russian Suprematism, and, upon further contemplation, turn out to be just what their titles call them. Works based on signal flags and the Ugaritic Alphabet--an extinct language from Syria, 1300 B.C.--confirm that puzzlement is part of the desired effect here. Where direct exchange between sign and meaning is impossible, the beauty of the symbol...

Dates: 2006

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books