The bookbinding by Gary Frost has a special new, treatment to the spine allowing the book to lie reasonably flat when opened. Several persons who contributed to the design and production of this book also signed their names on various pages. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue features Hamady's assemblages. Toby Olson and Buzz Spector contribute critical essays on Hamady's work. Olson wrItes about his art pieces in the essay "One Night at the Farm" and Spector describes Hamady's work in an essay, "Biblioselfconsciousness: Walter Hamady's Gabberjabbs." The Sackner Archive is mentioned as holding Hamady's works. -- Source of annotation: Marvin or Ruth Sackner.

The citation of Walter Hamady indicates that his work is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

In this book object, the artist utilizes a photographic schematic of a vertical section of the whole lung as a hat for a young woman. This work was exhibited at the Agnes Scott College Gallery, Atlanta, January 2001. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this exhibition was tools. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition of 29 former students of Walter Hamady was named for the typography studio in room 6451 in the Humanities Building at the University of Wisconsin. Each artist in the exhibition presented a statement of how Hamady influenced their artistic careers. Charles Alexander of Chax press notes that his works are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Sackner Archive lent Martha Carothers book "Three Sheets in The Wind" to exhibitionand this piece is depicted in the catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Shaped Poetry by Andrew Hoyem and "Self-Portrait in a Convex Mirror by John Ashbery, published by the Arion Press, are reviewed in the article. Both are held by the Sackner Archive. (Marv- do we also have the Tilson book?) -- Source of annotation: Marvin or Ruth Sackner.