Skip to main content

Artist book

 Subject
Subject Source: Sackner Database

Found in 8 Collections and/or Records:

Avec l'Oeil du Savoir / Lalou, Frank., 1988

 Item
Identifier: CC-07507-7651
Scope and Contents This is among one of the first of the unique books made by the calligrapher.Wiipedia: Frank was born in Marmande Lalou in 1958. His parents settled in 1956 in the small town in south-western France after leaving Morocco because of the climate of insecurity before the independence of this country. From his early childhood he was immersed in the tranquil atmosphere of Gascony near the Garonne. In 1965, his parents in search of sun, leaving the Aquitaine to live in Nice. At the age of twelve, he discovered the beauty of Jewish culture and Hebrew letters. But the narrow-minded and old-fashioned teaching of the rabbis of the time, do not invite her to deepen their Jewish practice.Its great meeting at the age of nine with the work of Johann Sebastian Bach is crucial. His passion for this musician is the source of all his research. At twelve, he began learning the piano and teases his teachers because he wants to play as Bach. It is during this period that began his long friendship with...
Dates: 1988

Emily Dickenson's I Saw No Way / Lalou, Frank., 1993

 Item
Identifier: CC-07510-7654
Scope and Contents

This poem, the first done in English by Lalou, was written with a conventional calligraphic style on the front of the series of the folded paper that formed four unbound pages. In addition, parts of the poem were written in a highly experimental style with vertical elongation and personal flourishes added to the letters. Lalou also illustrated these pages using brightly colored inks to form images composed of abstract calligraphic markings. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

Hokyo Zan Mai / Lalou, Frank., 1993

 Item
Identifier: CC-28794-30105
Scope and Contents

The drawings that depict the text of the Haiku poems are also illustrated in an abstract manner by Lalou. They were executed on heavy Fabriano paper. The large bold brush strokes that are done on several pages undoubtedly relate to Japanese calligraphers. The drawings are meant to be rotated in the case for visual display. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

Ruth: Chapter xiii / Lalou, Frank., 1999

 Item
Identifier: CC-32066-33601
Scope and Contents

This calligraphic book on Fabiano papers was commissioned by Marvin Sackner for Ruth as a 63rd birthday present. It recounts the Biblical love story of Ruth, her mother-in-law Naomi and her son Boaz, and Naomi's instructions to Ruth on how to court Boaz. Lalou wrote the story English using black ink lettering at the bottom of nine pages. These pages and four additional pages without Biblical text are decorated with calligraphic renderings of the Hebrew names Ruth, Naomi and Boaz. Other pages are rendered with drawings of alephs, Hebrew letters, stripes of inked lines, and text from the Book of Ruth in English and Hebrew. The final page is dramatically rendered in black Hebrew text and abstract bands of blue, red, orange and yellow colors. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Summer Miscellany List 99-2 / Juvelis, Priscilla ; Davidson L ; Lalou F ; Poehlmann JA ; King R., 1999

 Item
Identifier: CC-32977-34597
Scope and Contents

This catalogue features feminist, political literature. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

William Blake's Proverbs of Hell / Proverbes de l'Enfer / Lalou, Frank., 1996

 Item
Identifier: CC-28717-30023
Scope and Contents

This trade edition book of Blake's poetry has all the calligraphic and visual devices that Lalou utilizes in his unique books. The collaged elements on several pages are pieces of gold paper that are incorporated into his calligraphy. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

William Blake's Proverbs of Hell / Proverbes de l'Enfer / Lalou, Frank., 1996

 Item
Identifier: CC-29120-30465
Scope and Contents

This deluxe edition book of Blake's poetry has all the calligraphic and visual devices that Lalou utilizes in his unique books. The collaged elements on several pages are pieces of gold paper that are incorporated into his calligraphy. It differs from the trade edition, also held by the Sackner Archive, in that the text is printed on velin d'Arches paper 160 g. The trade edition is printed on Cyclus ligher weight paper stock. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996