The catalogue is shaped like alphabetical file cards with each artist's name printed on the tabs. The exhibition was curated by Barbara Lazarus Metz and the catalogue was designed by Bill Drendel. -- Source of annotation: Marvin or Ruth Sackner.

Clive Phillpot contributed a critical essay. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent "Mesostics Book" to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Provides both an historic background and a contemporary assessment of the Artist Book. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent several works to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Text and imagery relates to John Cage, Merce Cunningham, and Jasper Johns "Dancers on a Plane." -- Source of annotation: Marvin or Ruth Sackner.

A birthday present for Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.

Each page depicts an illustration of the artist's work, a biography and an artist's statement. This catalogue also includes a page entitled "A History of the Book" and pages on selected recommended books and websites dealing with making artist books. -- Source of annotation: Marvin or Ruth Sackner.

Each page has been cut to four horizontal segments. A single word, white in color, has been cast into the white background of the page. A mesostic is formed from the middle letters of these four words. Reading down the center of the cover is the word alto which is the second part of the street name for the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Facilitating Processes So That Anything Can (to J.C.), depicted in the article, was purchased by the Sackner Archive from the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue was designed by Claire Satin. -- Source of annotation: Marvin or Ruth Sackner.