This exhiition dealt with Nannucci's book and art works and those published by Zona and Exempla editions. -- Source of annotation: Marvin or Ruth Sackner.

This work was submitted to a mail art show,"Homage To A Mad Diarist," curated by John Pyros. -- Source of annotation: Marvin or Ruth Sackner.

This book is a tribute to a trip with Sarah to Pyramid Lake. The final word in the "Reno Crossing" section - 'ghosted' - is tied to the final word in the "Pyramid Lake" section - 'Wodziwob' - as the latter was the first one who dreamed what came to be known as the Paiute Indian "Ghost Dance." "Pyramid Lake" is a Paiute spirit lake. -- Source of annotation: Marvin or Ruth Sackner.

The case is fitted with four compartments arranged vertically such that top has images of the head, the next down, images of the chest, the next down, images of the abdomen and upper thighs, and the bottom, the lower extremities. The prints can be rearranged in their compartments to form an infinite variety of body views. The project was initiated by Silver Buckle Press through a request to 33 small presses to submit a print based upon one of the aforementioned body parts. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent a book, "Intimate Strangers" to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This highly experimental, designed book, was produced by Crisp as part of her MFA work at California Institute of the Arts in 1995. It features blocks of text arranged in a constructivist manner as well as blank space reminiscent of Mallarme's Un Coup de Des. This second edition of five copies, was commissioned by the Sackners who retained one copy. -- Source of annotation: Marvin or Ruth Sackner.

The recto of the photograph announces a performance by Blaine at Galerie Donguy, Paris, on December 1, 1998. Some of the photographs are images of store facades with signs that stated "Mode a Suivre." -- Source of annotation: Marvin or Ruth Sackner.

The theme of this book deals with the 'virtues' of sugar. -- Source of annotation: Marvin or Ruth Sackner.

Christmastree has used photocopied dictionary pages containing the title words as the basis for the content of this book. One fold-out page consists of four collaged cut-out figures. -- Source of annotation: Marvin or Ruth Sackner.

The first page of the A book depicts 25, nearly identical, stick figures draw in ink in the style of A.R. Penck with collaged, round, red paper stickers for the heads. The heads have facial features drawn in ink. The verso has one red paper stick collaged onto the page. Each subsequent page has one less stick figure and one additional sticker on the verso. The final page of the book has one stick figure and 25 stickers collaged onto the verso. In Book B, red and green, round paper stickers are collaged onto most pages with ink, horizontal lines to emulate music scores. On other pages, surrealistic animal-like shapes, cut from music scores, are collaged onto the pages with music-like scores. -- Source of annotation: Marvin or Ruth Sackner.

This book is a parody of "Un coup de Des" by Mallarme with completely different text and added images mainly of industrial objects.*Jim Leftwich writes that A Throw of The Snore..." is not a parody of Mallarme's "A Throw of the Dice"....it is Mallarme's poem with words from John M. Bennett's poetry spliced in at random. -- Source of annotation: Marvin or Ruth Sackner.

This book is a parody of "Un coup de Des" by Mallarme with completely different text and added images mainly of industrial objects.*Jim Leftwich writes that A Throw of The Snore..." is not a parody of Mallarme's "A Throw of the Dice"....it is Mallarme's poem with words from John M. Bennett's poetry spliced in at random.This copy is printed on orange colored stock pages. -- Source of annotation: Marvin or Ruth Sackner.