Artist book
Found in 2625 Collections and/or Records:
Scripps College Typography Class: Word That Burn. / Kitty Maryatt, editor., 1996
This book was written and designed by the Scripps College typography class under the direction of Kitty Maryatt. The project was to make "Chinese" (in this case Western) spirit papers from handmade paper with the students adding elements to the pulp as a way to insert small poignant messages each wrote for this project. Chinese spirit papers were burned in ceremonies to honor ancestors. Several examples of handmade paper were used throughout the book. -- Source of annotation: Marvin or Ruth Sackner.
Scriptionary, 1995
Seilles's two page letter to the Sackners details her trials of readjusting to life in France, her artistic work and concern for her health. She is pleased to hear that the Sackners saw her exhibition in the Janet Fleisher Gallery in Philadelphia. The collaged pages of found scraps of paper include a cutting from the Sackner Archive stationery. The loose sheets and the letter are inserted inside a fold of the final page. -- Source of annotation: Marvin or Ruth Sackner.
Sculpture Speaks Volumes / Kohen, Helen L.; Satin CJ., 1994
Scultura / Cucchi, Enzo., 1988
The critical text is written by Martin Schwander. -- Source of annotation: Marvin or Ruth Sackner.
Sea / Depew, Wally., 1984
With the exception of one page that has the rubberstamped word, SEA, the remainder of the pages depict the word(s) OCEAN in different layouts. -- Source of annotation: Marvin or Ruth Sackner.
Secret Panel / Jack A. Hirschman., 1992
The poem sums up the seedier side of New York city. -- Source of annotation: Marvin or Ruth Sackner.
Secret Panel / Jack A. Hirschman., 1986
Several poems in this book are written like limericks. -- Source of annotation: Marvin or Ruth Sackner.
Secret Panel / Jack A. Hirschman., 1992
The poem sums up the seedier side of New York city. -- Source of annotation: Marvin or Ruth Sackner.
Secret Panel / Jack A. Hirschman., 1986
Several poems in this book are written like limericks. -- Source of annotation: Marvin or Ruth Sackner.
Secret Wing / Chalker-Tennant, Nancy., 1991
Sediment / Powell, David., 1989
See Me Endure / McLaughlin, Jan., 1989
Segno Campo 1986-1992 / Savoi, Alba ; Bentivoglio M., 1992
Segregation by Robert Penn Warren, 1996
Seh-Texte; Beispiele Konkreter und Visueller Poesie / Apollinaire G ; Achleitner F ; Gappmayr H ; Garnier P ; Gerz J ; Gomringer E ; Lavater W ; Lax R ; Long R ; Osborn K ; Phillips T ; Riha K ; Ruhm G ; Stokes T ; Wezel W ; Crombie J., 1991
Selected Thoughts / Petasz, Pawel., 1983
Selected Visual Poems / Segay, Serge ; Nikonova R ; Scherstjanoi V., 1997
The earliest work in this sampling of Segay's visual poems is dated 1973 and the latest 1997. Most pages of the soft cover book consist of black paper with stylized cut out letters that form a text which is collaged to the white pages. One collage in the book was done as a collaboration among Segay, Nikonova, and Scherstjanoi. The material is enclosed within a handmade portfolio, held together by thick black laces with gold foil at the tips. This work was exhibited at the Agnes Scott College Gallery, Atlanta, January 2001. -- Source of annotation: Marvin or Ruth Sackner.
Selections: From Florida Collections / Presser E ; Chiarlone R., 1991
The Sackner Archive lent works by Presser and Chiarlione to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.