Exhibition was curated by Anne Anninger and text was contributed by Joan Lyon. -- Source of annotation: Marvin or Ruth Sackner.

This is the first maquette for a manuscript of collages made from colored photographs that curry continues to edit. curry noted in a letter to the Sackners that many of the pieces in this copy will not be included in the final version. Some of the pic have been published but many have not. This copy was made for David UU who wanted to see the entire series. The book is dedicated to Frank Zappa & the images and their captions have music relationships. -- Source of annotation: Marvin or Ruth Sackner.

This trade edition book of Blake's poetry has all the calligraphic and visual devices that Lalou utilizes in his unique books. The collaged elements on several pages are pieces of gold paper that are incorporated into his calligraphy. -- Source of annotation: Marvin or Ruth Sackner.

This deluxe edition book of Blake's poetry has all the calligraphic and visual devices that Lalou utilizes in his unique books. The collaged elements on several pages are pieces of gold paper that are incorporated into his calligraphy. It differs from the trade edition, also held by the Sackner Archive, in that the text is printed on velin d'Arches paper 160 g. The trade edition is printed on Cyclus ligher weight paper stock. -- Source of annotation: Marvin or Ruth Sackner.

The square-shaped perforation on the card signifies the window element of the title and the shirt button sewn on the card, the wind..mill of the title which is printed as a label on the box. -- Source of annotation: Marvin or Ruth Sackner.

The plexiglas box and the pages have the shape of a carrier pigeon's wing. -- Source of annotation: Marvin or Ruth Sackner.

The plexiglas box and the pages have the shape of a carrier pigeon's wing. -- Source of annotation: Marvin or Ruth Sackner.

Marvin Sackner is cited for his contribution of "Chicken Soup" to Postcards V 1987. The Sackner Archive is listed as holding Purgatory Pie Press works. -- Source of annotation: Marvin or Ruth Sackner.

Thomas Rose created a visual poetic tribute and memory to his father and mother upon their deaths, The presentation is introspective and dream-like, and these characteristics are matched in the physical presentation of the book with text that floats on the page, transparent papers with heavenly clouds, clinical typography for autopsy texts, and handwriting for personal thoughts and musings. The original graphic print seems to be an abstracted drawing of an urn of ashes. The brochure is a prospectus for the book.One of Rose's reminiscences reads as follows, "still the labor of your breathing is - heavy in the room - your breath - in a cloud of vapor as it left - your lips into the cold light of the room... -- Source of annotation: Marvin or Ruth Sackner.

This catalogue features feminist, political literature. It lists Arion Press' "Shaped Poetry" held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The booklet serves as a New Years greeting and a means to document the history of the gallery. -- Source of annotation: Marvin or Ruth Sackner.

The subtitle of Smith's book number 134 is "Tale of Timothy Thomas Mott," a homoerotic novel. -- Source of annotation: Marvin or Ruth Sackner.

The cover of each book has one letter of the word, "WORD." The pages depict permutations of "word" created from rubberstamping with varied colored inks. -- Source of annotation: Marvin or Ruth Sackner.

Thiis manuscript consisted of the working originals used for the installation, "WORD ART / ART WORDS" at Jurgen Olbrich's studio space in Kassel, West Germany. \The layour of the drawings is typical of Michael Winkler's work. -- Source of annotation: Marvin or Ruth Sackner.

The poem depicts a man sitting on a curb with a touch of the homelessness. -- Source of annotation: Marvin or Ruth Sackner.