Every other line of poetry is set in Bory's characteristic experimental typography (as used on the page in the golden typwriter held by the Sackner Archive). Kolar's work, which is different for each copy in the run, is a card with a cut out of a cubist woman placed over a card of the Mona Lisa. -- Source of annotation: Marvin or Ruth Sackner.

This copy is the ordinary edition. The deluxe edition of 30 copies is consists of a card box covered with grey cloth, containing, besides the book itself, an original multiple by J.F. Bory: silk-screened pieces of card featuring 6 pieces of books spines showing the same illustration as the one on the front cover of the book, pasted on a sheet of brown rhodoid, mounted inside the front cover of the box. It is numbered and signed by the artist in the first page of the book and signed again on the SPINE of the box. According to Bory, only 5 copies of the preconceived 30 copies were realized. -- Source of annotation: Marvin or Ruth Sackner.

The book contains a signed essay by Joel Hubaut. The back cover is branded with the symbols 'O' X' & 'L'. The book is pierced in the upper right hand corner with a metal key ring that holds a folder ontaining 12 nude female torsos. The folder is reversed so the title Nus Artistique, the publisher and the warning that it cannot be sold to minors is in the inside. The outside is labeled with a stamp by Joel Hubaut. Stored in Hubaut box. -- Source of annotation: Marvin or Ruth Sackner.

The book contains a signed essay by Joel Hubaut. The back cover is branded with the symbols 'O' X' & 'L'. The book is pierced in the upper right hand corner with a metal key ring that holds a folder ontaining 12 nude female torsos. The folder is reversed so the title Nus Artistique, the publisher and the warning that it cannot be sold to minors is in the inside. The outside is labeled with a stamp by Joel Hubaut. Stored in Hubaut box. -- Source of annotation: Marvin or Ruth Sackner.