The text deals with historic aspects of artist books, concrete poetry, and visual poetry in Italy during the twentieth century with illustrations from the seveties and eighties. The collage is tipped-in to the page facing the title page. -- Source of annotation: Marvin or Ruth Sackner.

The content of this book consists mainly of collaged pornographic images taken from popular sex magazines that deal with explicit sexual intercourse, oral sex, and sadomasochism superimposed upon pharmaceutical information pages. The content of each issue differs from the others with this title. This is a varient copy in the series that was purchased from Caruso. However, each book is unique. -- Source of annotation: Marvin or Ruth Sackner.

This content of this copy deals mainly with the structure and typography of the page and does not utilize pornographic images as in the other copy held by the Sackner Archive. However, each book is unique. -- Source of annotation: Marvin or Ruth Sackner.

This book is a reprint of a unique artist book done by Caruso in 1977 in Firenze; its pages are uncut. It was published on the occasion of an exhibition by Caruso entitled, "Caso di Giorgione" held in Castelofranco Veneto, Treviso, Italy in 1996. The pages of the book reproduce a written text which appears to be documented on a printed foldout from the front cover. -- Source of annotation: Marvin or Ruth Sackner.

This work was published in conjunction with a dedication of the reprinting of Futurist manifestos held at the Galleria d'Arte Moderna of Bologna, Italy on March 4, 1982. The photographs depict Caruso and Mennitti-Pariato. One brochure contains a reprint of the Futurist Manifesto, "Il Tattilismo" (1921), the other, a unique one, an avant garde music score. -- Source of annotation: Marvin or Ruth Sackner.

This is the second edition of ta smaller in size of the book which was first published in 1970. It is the first edition of this larger size presentation. -- Source of annotation: Marvin or Ruth Sackner.

Caruso wrote the poem printed on the first page and Roberta Rocca created the collage. -- Source of annotation: Marvin or Ruth Sackner.

This book was edited by Luciano Caruso. -- Source of annotation: Marvin or Ruth Sackner.

This series was edited by Luciano Caruso. This booklet includes the poetic works of Caruso as well as Villa, Diacono and Martini. Stored with Luciano Caruso material. -- Source of annotation: Marvin or Ruth Sackner.

The text of Caruso's writing was taken from a poem by Villa, "Il Fuori il Dentro del Signo."(1972) -- Source of annotation: Marvin or Ruth Sackner.

The painted cover is by Piero Varroni who also collaborated with Luciano Caruso on the visual poem. This four page accordion visual poem consists of calligraphic text and markings by Caruso over a abstract brown and gold painting by Varroni. The collage elements consist of six small, torn white papers onto which Caruso has written text. The colophon indicates that one copy of this book was reserved for the National Central Library of Florence. -- Source of annotation: Marvin or Ruth Sackner.

This artist proof copy from an unknown tirage of proofs, was published on the occasion of an exhibition by Caruso. The exhibition was entitled, "Luogo della Immagini del Segno Scrittura." The drawings all consist of three rectangular, vertical striped of white paint with a handwritten graphite caption at their bottoms. The poem printed on the folder was composed by Caruso in 1967. -- Source of annotation: Marvin or Ruth Sackner.

The drawing by Caruso depicts four tilted leaves arranged vertically over music staffs with numbers. The leaves are filled with calligraphic text. The poem by Diacono was printed letterpress. The cover was painted by Piero Varroni. -- Source of annotation: Marvin or Ruth Sackner.

The book mark is typical of Caruso's work. The poem is printed in letterpress and the unconventional art is the light blue handprint of Michele Maria, Luciano's daughter, with a calligraphic notation is black ink above it. -- Source of annotation: Marvin or Ruth Sackner.