This exhibition originated from the Sackner Archive and was curated by the Sackners. It consisted of an introductory essay by Marvin Sackner and a classification system for the pages exhibited: 1) Hidden Meanings, 2) Cancelled, 3) Cut, Torn Crumpled, Perforated, 3) Fragmented, 4) Layered, 5) Sculptured, and 6) Sewn and Woven. The cover of the book was designed by Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.

In this book which is also designated as Tangenten No.4, a small square of mirror is set in stamped out thin card pages. One glassine page overlays it with a printed magic square poem. Parts of the backing of the mirror have been scatched out by the artist and it has been glued down to the card. Poetry has been printed on the pages with the stamped out sections. This book was edited by Walter Aue. -- Source of annotation: Marvin or Ruth Sackner.

These prints depict characteristic images of contemporary artists in typewriter format; only three of the eight images could be identified. This portfolio is rare and only one other copy could be located at Fondazione Berardelli in Brescia Italy. -- Source of annotation: Marvin or Ruth Sackner.

Each page depicts a wine bottle collaged with different text, languages, and images. The print is collaged to the inner front cover of the folder. -- Source of annotation: Marvin or Ruth Sackner.

In this book, Kolar produced a special edition of the catalogue of his work in which he intervened to collage or tip-in reproductions of printed fragments of collages used in other books onto the reproductions of collages of the pages in this book. Each of the 50 copies of this boook is unique. -- Source of annotation: Marvin or Ruth Sackner.

Every other line of poetry is set in Bory's characteristic experimental typography (as used on the page in the golden typwriter held by the Sackner Archive). Kolar's work, which is different for each copy in the run, is a card with a cut out of a cubist woman placed over a card of the Mona Lisa. -- Source of annotation: Marvin or Ruth Sackner.

The French title is "En-haut et en-bas" or "Top and Bottom,"or "High and Low." Each page is a print of Kolar's typogrammes from the 1960's. The pages are cut so that a portion of typing from the following pages become an important part of the composition. Kolar created new configurations with the typewriter that were known as "creations plastiques." The Sackner Archive holds unique typewritten pages that were bound into a unique binding by Pella Erskine Tullock. -- Source of annotation: Marvin or Ruth Sackner.

The French title is "En-haut et en-bas" or "Top and Bottom,"or "High and Low." Each page is a print of Kolar's typogrammes from the 1960's. The pages are cut so that a portion of typing from the following pages become an important part of the composition. Kolar created new configurations with the typewriter that were known as "creations plastiques." The Sackner Archive also holds nine unique typewritten pages that were bound into a unique binding by Pella Erskine Tullock. -- Source of annotation: Marvin or Ruth Sackner.

The bookbinding was done by Jane Rollo. Each copy is virtually unique since collages were made adhering a limited number of the defective printed pages onto the pagea of the printed book. -- Source of annotation: Marvin or Ruth Sackner.