The essay by Marvin Sackner in the catalogue has been altered in the style of Broaddus' work. The Catalogue itself is presented as an Artist Book. -- Source of annotation: Marvin or Ruth Sackner.

The four books making up this exhibition catalog, which in itself can be classified as an artist book, comprise the topics, Sculpture, Artist and Process, Related Objects, and Bookworks. The latter includes Marvin Sackner's critical essay, "Who Says Thirteen Is Unlucky?" The theme of several of the pieces in the exhibition is Satin's adaptation of John Cage, Jasper Johns and Merce Cunningham's collaborative work, "Dancers on a Plane." -- Source of annotation: Marvin or Ruth Sackner.

The dedication reads, "to Marvin Sackner - The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry MIAMI USA - whose colossal collection, stockpiled over many obsessive years guarantees that this form of poetry beloved of many dedicated exponents world-wide will in all good time become visible." The first page provides Claire's definition of concrete poetry repeated 4 1/2 times on the page. Each subsequent page was created by overprinting through altering the position of the page in the ink jet printer. -- Source of annotation: Marvin or Ruth Sackner.

The title translates to "The Personal and the Other: Ten Years of Work." Eric Stephan contributes an introductory essay, in German and English, that points out Zylla's debt to Charles Bukowski and Jean Dubuffet. Jorn Merkert writes about Zylla's working methods. This catalogue mentions that Zylla's work is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Mention is made of Deisler's work held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

In the colophon, Gallo mentions that the production of this book was made possible in part due to a grant from the Sackner Archive. The binding was done by Daniel Kelm. Each page has a single poem that was printed letterpress or from plates generated thru Alphatype or Postscript applications. The Archive for this book is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is a facsimile of the artist's book originally published in 1913, made after an original copy in the collection of the Beinecke Rare Book & Manuscript Library at Yale University. The original copy was purchased from the Sackner Archive. This edition also includes a new English translation and essay by curator Timothy Young in an accompanying book. The facsimile was reproduced from scanned images of the original and printed on Mohawk Superfine Ultrawhite Eggshell 100 text. It was letterpress scored, then hand folded like the original and assembled. The slipcase was base on the original vellum cover, which was hand-painted by Sonya Delaunay and glued to the text block. This work is stored with "Metaphor Taking Shape." -- Source of annotation: Marvin or Ruth Sackner.

In the colophon, Drucker acknowleges the financial support of Ruth and Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.