The dedication reads, "to Marvin Sackner - The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry MIAMI USA - whose colossal collection, stockpiled over many obsessive years guarantees that this form of poetry beloved of many dedicated exponents world-wide will in all good time become visible." The first page provides Claire's definition of concrete poetry repeated 4 1/2 times on the page. Each subsequent page was created by overprinting through altering the position of the page in the ink jet printer. -- Source of annotation: Marvin or Ruth Sackner.

The title translates to "The Personal and the Other: Ten Years of Work." Eric Stephan contributes an introductory essay, in German and English, that points out Zylla's debt to Charles Bukowski and Jean Dubuffet. Jorn Merkert writes about Zylla's working methods. This catalogue mentions that Zylla's work is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Mention is made of Deisler's work held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

In the colophon, Gallo mentions that the production of this book was made possible in part due to a grant from the Sackner Archive. The binding was done by Daniel Kelm. Each page has a single poem that was printed letterpress or from plates generated thru Alphatype or Postscript applications. The Archive for this book is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

In the colophon, Drucker acknowleges the financial support of Ruth and Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.