Artist book (limited edition)
Found in 1479 Collections and/or Records:
Calligrammes / Crombie, John ; Apollinaire, Guillaume., 1989
This is Crombie's interpretation of Apollinaire's poem "Il Pleut" in which the calligramme is represented with abstract markings and the words as colored, linear, conventional and disintegrated text. -- Source of annotation: Marvin or Ruth Sackner.
[Calligraphic Exercises] / Bertola, Carla., 1998
Canailles ii / Lemaitre, Maurice ; Altmann R., 1968
This is the second of the two volumes enclosed within the painted folder. The second volume constituting Canailles II, III, IV... had a run of only 20 copies compared to the first volume's run of 50 copies in its limited edition. It consists mainly of portions of previous Lettriste publications that areoften annotated by Lemaitre for this book. -- Source of annotation: Marvin or Ruth Sackner.
Canal Street / Heidsieck, Bernard; Bertini, Gianni., 1986
Canal Street is the title of a series of 50 "sound collages" composed in the 1970's. Each pice blends phrases from the documentation that accompanies the communication devices bought on Canal Street NYC. Each "sound collage" was printed in wood cut type by Gianni Bertini. The five hand colored etchings were made by Bertini.There is water damge to the ouside margin og the pages that has not affected the images. -- Source of annotation: Marvin or Ruth Sackner.
Caracters pour celui qui flambe... / Blaine, Julien., 1994
The theme of this book deals with Tarot cards. -- Source of annotation: Marvin or Ruth Sackner.
Carbon Copy / Immoos, Franz., 1978
The expression "CARBON - COPY" appears on each page, progressively fainter as the number of copies increases. -- Source of annotation: Marvin or Ruth Sackner.
! / Caruso, Barbara., 1989
Catalog Order Now / Rutkovsky, Paul., 1983
Cent Pour Cent / Metail, Michel ; Roquin, Louis., 1998
Each of the contiguous pages is divided into three parts. The top of the page consists of black and white images of musical instruments; the middle section consistsof handwritten scores; the lower third are poems that have the number '100' rubberstamped in red once on each page. -- Source of annotation: Marvin or Ruth Sackner.
C'est mon dada: Avatare. No.10/Sep / Harmut Andryczuk., 2007
C'est mon dada: Bon-ap-Arte. No.9/May / Klaus Groh., 2007
C'est mon dada: Calligraphies. No.8/May / Fernando Aguiar., 2007
C'est mon dada: Chretiens. No.2/Mar / Pierre Garnier., 2007
C'est mon dada: FulCRAPoems. No.7/Apr / Richard Kostelanetz., 2007
C'est mon dada: Gunpowpoems. No.6/Mar / Luc Fierens., 2007
C'est mon dada: Nos. No.5/Mar / John M. Bennett., 2007
C'est mon dada: Postcard-Corrections. No.4/Mar / Jurgen O. Olbrich., 2007
C'est mon dada: Word Theatre. No.3/Mar / Theo Breuer., 2007
Chanskaja Stavka, 1988
This book is based upon Velimir Khlebnikov's "Chanskaja Stavka," the title for a magic and fictional world. -- Source of annotation: Marvin or Ruth Sackner.