Internet: Enrique Sacerio-Garí is the Dorothy Nepper Marshall Professor of Hispanic and Hispanic-American Studies at Bryn Mawr College, where he has taught since 1977. He is known especially for his work on Jorge Luis Borges, and for his poetry. He introduced and edited a selection of Jorge Luis Borges' early articles in the volume Textos cautivos, Ensayos y resenas en El Hogar. His poetic works include: Comunion (a concrete poem) and Poemas interreales (Pennsylvania, 1981; Madrid, 1999; La Habana, 2004). R -- Source of annotation: Marvin or Ruth Sackner.

This work was published in conjunction with a dedication of the reprinting of Futurist manifestos held at the Galleria d'Arte Moderna of Bologna, Italy on March 4, 1982. The photographs depict Caruso and Mennitti-Pariato. One brochure contains a reprint of the Futurist Manifesto, "Il Tattilismo" (1921), the other, a unique one, an avant garde music score. -- Source of annotation: Marvin or Ruth Sackner.

This artist book is based on an original 1909 book by a writer with the same name as the book artist. It was originally "A Manual of Information and Instruction for Inspectors." -- Source of annotation: Marvin or Ruth Sackner.

The dedication reads, "to Marvin Sackner - The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry MIAMI USA - whose colossal collection, stockpiled over many obsessive years guarantees that this form of poetry beloved of many dedicated exponents world-wide will in all good time become visible." The first page provides Claire's definition of concrete poetry repeated 4 1/2 times on the page. Each subsequent page was created by overprinting through altering the position of the page in the ink jet printer. -- Source of annotation: Marvin or Ruth Sackner.

The poetry is typical beat and the typography, with varied typefaces, is influenced by Wallace Berman whom Herms knew at the time this book was published. The celestial images that illustrate the book were those current in the California culture at that time. -- Source of annotation: Marvin or Ruth Sackner.

The ink hieroglyphic drawings were redone in 1996 from an earlier sketch book and colored drawings were done in 1996 as new works. Kai Selbar did the silkscreens for the pages and covers. -- Source of annotation: Marvin or Ruth Sackner.

Damaso Ogaz (1924-1990). -- Source of annotation: Marvin or Ruth Sackner.

This book contains texts, images, collages, graphics and photographs by the two authors. -- Source of annotation: Marvin or Ruth Sackner.

This book depicts a sequence of increasing removal of the meat from outer surface of a cow until only the bones remain. -- Source of annotation: Marvin or Ruth Sackner.

The pages depict graffiti images. -- Source of annotation: Marvin or Ruth Sackner.

This second edition of the book has been digitized and the images are now colored in contrast to the b&w photocopies in the first edition that is also held by the Sackner Archive, -- Source of annotation: Marvin or Ruth Sackner.

The poem deals with the spiritual experience of the ceation of the first male in the form of an illustrated book. The poem is illustrated with semirealistic, figurative line drawings. The calligraphic text of the poem with varied degrees of gray shading was probably done using a computer generated laser printer. -- Source of annotation: Marvin or Ruth Sackner.

The colors appear so vibrant that it seems that the images were drawn rather than printed. -- Source of annotation: Marvin or Ruth Sackner.