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Artist book (limited edition)

 Subject
Subject Source: Sackner Database

Found in 1479 Collections and/or Records:

Cryptesthesies II / Constans, Berenice., 1984

 Item
Identifier: CC-19987-20375
Scope and Contents

The artist has used a large variety of calligraphic styles. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Curvd H&Z: Language; Voice Hitting the Form. No.181/Feb / Gerry Shikatani., 1983

 Item
Identifier: CC-18369-18741
Scope and Contents

Also designated th wrecking ballzark #46. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

Curvd H&Z: moment vm. No.435/Jan / Carlyle Baker., 1997

 Item
Identifier: CC-27752-28874
Scope and Contents

The drawing, that forms the back cover, consists of a fragmented rectangle of gold leaf paint placed upon a background of brown paint. This image is Baker's signature style. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Cut / Depew, Wally., 1986

 Item
Identifier: CC-14491-14801
Scope and Contents

Wet paint was applied to the top of a stack of paper pages and a sharp knife was used to make a horizontal cut measuring about 7.5 cm through the stack such that diminishing amounts of paint were transferred to the remaining pages. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986

Cut / Depew, Wally., 1986

 Item
Identifier: CC-51150-72237
Scope and Contents

Wet paint was applied to the top of a stack of paper pages and a sharp knife was used to make a horizontal cut measuring about 7.5 cm through the stack such that diminishing amounts of paint were transferred to the remaining pages. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986

CV / Crombie, John., 1988

 Item
Identifier: CC-17971-18341
Scope and Contents

This book has spiral spines on two of its borders. Text consists of the words, "gloom, doom, womb and tomb," similar to another book held by the Sackner Archive with a different format by Crombie, entitled "Womb to Tomb." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Cycle / Sharits, Paul., 1964

 Item
Identifier: CC-48730-69763
Scope and Contents

Probably less than 100 copies were printed by Paul Sharits. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1964

Dactyloscopic Book For Milan Grygar / Kocman, J.H.., 1970

 Item
Identifier: CC-59386-56758
Scope and Contents The fingerprints dedication to Milan Grygar is appropriate since he used the tapping of his fingers in his performance pieces. Milan Grygar was born in Zvolen, Slovakia in 1926. After graduating from the College of Applied Arts, Prague (where he studied under Professor Emil Filla) he concentrated on still lifes which evolved into colour compositions devoid of subject matter. In 1964 he produced a series of 64 black-and-white drawings using the principle of a linear sequence. Working in a fast rhythm, he could "hear" the drawing he was creating. From there, it was only a step to a discovery that was to define his future artistic career and bring him recognition. Grygar began tape recording the acoustic process of drawing. In 1965 he started to pursue the relationship between drawing and sound, and in 1966 exhibited his first acoustic drawings with accompanying tape recordings. These New Drawings led him to the direction known as the New Music, and were followed by large drawings and...
Dates: 1970

Dada Kampfen um Leben und Tod / Duke, Jas H.; Hudson M; Jarvis J; Pi O; Marinetti FT; Hausmann R; Serner W; Schwitters K; Ono Y; Keen J; Hennings E., 1996

 Item
Identifier: CC-28536-29818
Scope and Contents This work is a typographic tour de force in which the accordion folds are placed such that the text can be unfolded as a horizontal continuum. The type is printed in red, black, blue, and orange highly saturated colors. The poem is based upon a performance piece by Duke that completed in 1973. The poem describes Dada in Zurich in 1916, in the winter in Berlin in 1918-1919 during the hardships of WWI, as Dada slept from 1923-1945, and in Australia in contemporaneous times. The Sackner copy is one of 25 in a portfolio; No.1 was in a designer binding, No.26-29 were unbound, and 5 copies were hors commerce. Except for the title which is in the German language, the text is in English. The book was conceived and designed in a constructivist lay-out by Mike Hudson (who never met Duke according to a personal communication to the Sackners) and set in a wide range of lead and wood sans serif types by Jadwiga Jarvis. The portfolio has papercard inserts for two pamphlets on the inside front...
Dates: 1996

Daniil Kharms, the Song / Dergatchov, Oleg., 1993

 Item
Identifier: CC-29807-31186
Scope and Contents

The pages are grey, lines of poetry printed horizontally and vertically so that a square of text is created on the translucent paper. There are three, finely drawn, etchings tipped ino the book. Each contains reversed micrographic writing, drawings of men, abstract symbols and markings in an imaginary landscape. The cover designs consist of complex abstract markings with text probably printed from wood cut or linoleum block. Dergatchov migrated to Montreal, Canada with his family in 2005 where he makes his living as a cartoonist.Pages from this book are reproduced in the exhibiton catalogue held by the Sackner Archive, "Die Verwandlung" (2013). -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

Das Eigeneund das Fremde / Zylla, Klaus ; Stephan E ; Dubuffet J ; Bukowski C ; Sackner RK ; Sackner MA., 1998

 Item
Identifier: CC-30298-31707
Scope and Contents

The title translates to "The Personal and the Other: Ten Years of Work." Eric Stephan contributes an introductory essay, in German and English, that points out Zylla's debt to Charles Bukowski and Jean Dubuffet. Jorn Merkert writes about Zylla's working methods. This catalogue mentions that Zylla's work is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Das Kluge Gretel / Habinger, Renate., 1983

 Item
Identifier: CC-60340-59133
Scope and Contents

Renate Habinger (1957-born in St. Polten ) is an Austrian graphic designer and picture book illustrator .Renate Habinger studied from 1971 to 1975 Graphic Design at the Higher Graphic Federal Education and Research Institute and has since worked as a freelance artist. In 1997 she directed in Oberndorf at the Melk a paper workshop, the "Schneiderhausl", and since then there has workshops in papermaking for children, adolescents and adults. Since 2008, there is an annual summer school for children's book illustration instead. On August 10, 2013, the children's book was opened in Schneiderhausl. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

De Aums Warble Stamp Act II / Cole, David., 1983

 Item
Identifier: CC-17374-17739
Scope and Contents

Some images are composed of distorted letters. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983