Cards shaped in the form of a filtered tip cigarette are printed in 43 languages (one to each card) with the message "No Smoking." The box has the shape of a cigarette box. -- Source of annotation: Marvin or Ruth Sackner.

The complete text is composed to the letters c,d,h,j,l,t and r. The drawing in this limited edition is on the title page and consists of printed letters that read, HNJT IDJRJC LRID J JC HCJ.... -- Source of annotation: Marvin or Ruth Sackner.

This book consists of reproductions of collages of dealing with juxtaposed heads or bodies. There are occasional printed or written captions. -- Source of annotation: Marvin or Ruth Sackner.

This is an altered romantic novel done in the style of Tom Phillips' "A Humument." -- Source of annotation: Marvin or Ruth Sackner.

Theme of book is the intrusion by telemarketing; the spine is wrapped insulated colored wires that might be used for telephone connections. -- Source of annotation: Marvin or Ruth Sackner.

In this collaborative poetic, artistic work, the printing has been carried out on paper sheets of varied sizes and folds. -- Source of annotation: Marvin or Ruth Sackner.

This work by Wally Depew was designed by Linda Depew and issued in 26 lettered copies. The letter assignation was done on a post-it on the verso of the folder as well as on the colophon. The colored paper assemblage was inserted into the junction for the fastening of the paper folder. Depew designated the works in this series as Artist's Photobooks. Several of the images have been computer manipulated. -- Source of annotation: Marvin or Ruth Sackner.

This work by Wally Depew was designed by Linda Depew and issued in 26 lettered copies. The letter assignation was done on a post-it on the verso of the folder as well as on the colophon. The white paper assemblage was inserted into the junction for the fastening of the paper folder. Depew designated the works in this series as Artist's Photobooks. Some of the images have been computer manipulated. -- Source of annotation: Marvin or Ruth Sackner.

Each page consists of three horizontally cut pages. -- Source of annotation: Marvin or Ruth Sackner.

This book was critically reviewed by Marjorie Perloff in Harvard Library Bulletin Vol.3 No.2, 1992, a periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The book depicts black and white photographs of fingers and thumbs from different individuals on each page that increase in number as the story progresses. Each digit engages in brief conversations about voyeurism. -- Source of annotation: Marvin or Ruth Sackner.

The book depicts black and white photographs of fingers and thumbs from different individuals on each page that increase in number as the story progresses. Each digit engages in brief conversations about voyeurism. -- Source of annotation: Marvin or Ruth Sackner.

All pages of this book are blank except one that reads in Catalan, "Avui, dia 28 d'Octubre he anat a sopar a les 23'15 de la nit." The significance of this date vis a vis the holocaust is unclear. -- Source of annotation: Marvin or Ruth Sackner.

The images in the book consist mainly of repetitive, stylized men with arms outstretched depicted as viewed from above. There is no text except for a long dictionary definition of 'man.' Some of the visual arrangements appear almost like text forms with a hieroglyphic language. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue describes and depicts several facets of the bookworks and visual art of Tarlatt and his collaborations. The eight unbound colored photographs depict the exhibition installation. -- Source of annotation: Marvin or Ruth Sackner.