Artist book (limited edition)
Found in 1485 Collections and/or Records:
Incontro di Dante con Beatrice / Appel, Christian., 1983
Infineightations (stamped with 4 infinity signs on each page) / Gibbs, Michael., 1978
The book is stamped as four infinity signs on each page. -- Source of annotation: Marvin or Ruth Sackner.
inici i retorn / Calleja, J.M.., 1980
Insektentexten, 2015
InstaBook: BOX. No.4 / Bob Holman., 2009
This flattened book when unfolded produces an opened box. -- Source of annotation: Marvin or Ruth Sackner.
InstaBook: Brains & Spines. No.2 / Jessica Nebraska Gifford., 2005
The images depict visually altered MRI's of Gifford's brain and spinal cord with the lesions of multiple sclerosis. -- Source of annotation: Marvin or Ruth Sackner.
Installations 1991-1993 / Berkowitz, Lauren., 1995
Instan / Vicuna, Cecilia., 2002
Cecilia Vicuna is an activist artist who does installations from thread and weavings. This diarist book was done between 1995 and 2000 during travels to the United States and South America. The graphite drawing is on the last page of the book. -- Source of annotation: Marvin or Ruth Sackner.
Instructions for Assembly / Barton, Carol., 1993
Instructions for Redemption / Faigenbaum, Mark., 2008
The author used the magazine, "Science Digest" August 1963, as the support for his prints. The announcement card is tucked into the book. This book is also designated X-Ray Handbook No.1. -- Source of annotation: Marvin or Ruth Sackner.
Interchange for John Cage / Hirschman, Jack A.; Brandi J; Schwarm H., 1964
This story about a day spent driving an automobile on a Los Angeles freeway was designed in the style of Mallarme's Un Coup de Des. The Sackner Archive also holds the archive for this work. The design and typography were done by John Brandi and Harold Schwarm. -- Source of annotation: Marvin or Ruth Sackner.
Interchange for John Cage / Hirschman, Jack A.; Brandi J; Schwarm H; Cage J., 1964
This story about a day spent driving an automobile on a Los Angeles freeway was designed in the style of Mallarme's Un Coup de Des. The Sackner Archive also holds the archive for this work. The first 22 copies were signed by Hirschman; this copy is signed and inscribed but is out of series. The design and typography were done by John Brandi and Harold Schwarm. -- Source of annotation: Marvin or Ruth Sackner.
Interior Decoration / Cairns, Phyllis., 1987
Interior / Tsang, Kin-wah., 2003
This book documents a floral pattern wallpaper that is made up of foul language. -- Source of annotation: Marvin or Ruth Sackner.
Interminable Gabberjabbs Number Eight: The Last Gabbrejabb / Hamady, Walter ; Drescher H ; Zapf H., 2005
This tour de force of bookmaking, printing and neo-dada texts is the final production of Walter Hamady in this series. This volume is described by him as "The last Gabberjabb number eight and IX/XViths of aleatory annexations of odd bondings or fortuitous encounters with incompatible realities or love, anguish, wonder; and engagement or a partial timeline of sorts or bait and switch or finally, a pedagogical rememberance." In this book, Hamady launches a long polemic against the unauthorized and false statements accompanying an exhibition of his press at the Grolier Club in April 2003. -- Source of annotation: Marvin or Ruth Sackner.
Interminable Gabberjabbs Number Five: For The Hundreth Time / Hamady, Walter., 1981
This book is the 100th book from The Perishable Press. It is a love poem by Hamady to his wife Mary, filled with humorous verbal and typographic material. The footnotes are presented in a small booklet placed in a library card envelope. This work was exhibited at the Agnes Scott College Gallery, Atlanta, January 2001. -- Source of annotation: Marvin or Ruth Sackner.
Interminable Gabberjabbs Number Four: Eyes Touch & Change / Hamady, Walter., 1986
Interminable Gabberjabbs Number One: VoltAire the Haemadeh / Hamady, Walter., 1973
Interminable Gabberjabbs Number Seven: Travelling / Gabberjabp / Hamady, Walter ; Schwitters K., 1996
Interminable Gabberjabbs Number Six: Neopo$tmodrinism or, Dieser Rasen ist Kein Hundeklo / Hamady, Walter., 1988
Hamady's use of found material includes varying papers and typefaces, seals and labels, old notebook covers, and green cloth from hospital uniforms. Several pages are creatively folded and refolded. The style of writing that involves documentation and a diary along with the inventive use of multiple typefaces, ornaments and layouts are defining examples of Hamady's style. Some pages have a rebus-like in design. This book is a printer's tour de force and one of the most outstanding in this series. -- Source of annotation: Marvin or Ruth Sackner.