Artist book (limited edition)
Found in 1485 Collections and/or Records:
less No.12 / Tullett, Barrie ; Glass P., 2012
This is No.12 in the series 'less - a minimal journal' edited by Julia Johnstone. The images on facing pages consist of squares formed with forward slashes tilted at different angles. -- Source of annotation: Marvin or Ruth Sackner.
Letter Racks / Cutts, Simon ; Finlay IH., 1972
Lettera & Risposta / Villa, Emilio ; Cegna, Giorgio., 1971
The covers and pages depict black typewriter ribbons that have been typed with seemingly random white letters even though the book is labeled a novel on the front cover. The ribbons are arranged in a variety of non-ordered layouts. -- Source of annotation: Marvin or Ruth Sackner.
Letters from a Post Modernist / Radin, Betty., 1993
Letters: Liberty Circumscribed / Constantinides, Kathy., 1986
Letters / Waldrop, Rosmarie ; Waldrop, Keith., 1970
Letters / Waldrop, Rosmarie ; Waldrop, Keith., 1970
Lettrisme et Hypergraphie, Commemorative de L'esposition / Hachette M ; Spacagna J ; Altmann R ; Jessemin A ; Roberdhay ; Wolman G ; Lemaitre M ; Sabatier R ; Isou I ; Brau JL ; Pomerand G ; Vronski R ; Naves A., 1964
Each internal page of the leaflet has a single, hand painted, artist stamp collaged onto it. The work was done concurrent to an exhibition "Lettrisme & Hypergraphie" held at the Galerie Stadler in 1964; the Sackner Archive holds the ordinary and deluxe edition of this catalogue. According to Frederic Acquaviva, all of the drawings were done by Jacques Spacagna including the forging of signatures. -- Source of annotation: Marvin or Ruth Sackner.
Lettrisme: Note Sur Votre Bonheur / La Premier et le Dernier Texte D'Un Prophete / Poisson D'Avril 71 [Deluxe Edition]. No.27/Nov / Maurice Lemaitre., 1971
Listed with price in Lemaitre's catalogue 1996. que. -- Source of annotation: Marvin or Ruth Sackner.
L'Homme de Parole, 1997
The book represents a man's body with a white, plastic spiral spine, a face and hair made of cut, smaller spiral spine material, a heart shaped heart printed with "je t'aime," and appropriately shaped booklets for the arms, abdomen, legs and penis. Crombie wrote the Sackners that these book objects were too difficult to transport and make so that none of the editions were completed as stated in the colophon. -- Source of annotation: Marvin or Ruth Sackner.
Life And Work 2nd Edition / Manzoni, Piero., 1969
This book was conceived by Manzoni, just before his death in 1963 and published the same year as stated in a letter sent by him to Jes Petersen. This book was published according to Manzoni's recommendations. Only the first page has printing, otherwise the book is blank. -- Source of annotation: Marvin or Ruth Sackner.
Life Has Meaning / Pawson, Mark., 1992
This was printed on two types of stencil machines with 15 water-based ink colors. -- Source of annotation: Marvin or Ruth Sackner.
Light and Dark / Tilson, Jake., 1980
Each of the tipped-in photocopied colored prints is a visual poem except for one that is an abstract image. -- Source of annotation: Marvin or Ruth Sackner.
Light Box / Daniel Weil; D Ades., 1985
Lilliput: Scritture. No.8 / Luciano Caruso, editor ; Villa E ; Diacono M ; Martini SM., 1971
This series was edited by Luciano Caruso. This booklet includes the poetic works of Caruso as well as Villa, Diacono and Martini. Stored with Luciano Caruso material. -- Source of annotation: Marvin or Ruth Sackner.
Limits / Gibbs, Michael., 1977
Each page depicts a random arrangement of letters with spacing as if text were cancelled out by white-out. -- Source of annotation: Marvin or Ruth Sackner.
Limits / Gibbs, Michael., 1977
Each page depicts a random arrangement of letters with spacing as if text were cancelled out by white-out. -- Source of annotation: Marvin or Ruth Sackner.
Linear Pictures and Large Pieces / Perneczky, Geza., 1985
The paintings are brightly colored and have a blurred constructivistic appearance somewhat analogous to artworks of the British artist, Stephen Buckley. -- Source of annotation: Marvin or Ruth Sackner.
Lines On Lines / Rosen, Kay., 1982
Each non-translucent page with text is overlaid with a translucent page printed with green lines in varied arrangements. -- Source of annotation: Marvin or Ruth Sackner.