Scope and Contents

Pages from this book are reproduced in the exhibition catalogue held by the Sackner Archive, "Die Verwandlung" (2013). -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The French title is "En-haut et en-bas" or "Top and Bottom,"or "High and Low." Each page is a print of Kolar's typogrammes from the 1960's. The pages are cut so that a portion of typing from the following pages become an important part of the composition. Kolar created new configurations with the typewriter that were known as "creations plastiques." The Sackner Archive holds unique typewritten pages that were bound into a unique binding by Pella Erskine Tullock. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The French title is "En-haut et en-bas" or "Top and Bottom,"or "High and Low." Each page is a print of Kolar's typogrammes from the 1960's. The pages are cut so that a portion of typing from the following pages become an important part of the composition. Kolar created new configurations with the typewriter that were known as "creations plastiques." The Sackner Archive also holds nine unique typewritten pages that were bound into a unique binding by Pella Erskine Tullock. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Designated Writers Forum Quarto No.11. Nancy Adler is the widow of Tony Howard. who died in 2001.Anthony Howard, music agent: born London 12 June 1939; married 1975 Nancy Adler (two sons, one daughter); died London 26 November 2001.Tony Howard may be a footnote in the musical history of the Sixties and Seventies but, without him, much of the best live music of that era would never have made it to the stage. From 1965 into the early Seventies, first Blaises and then the Speakeasy were the clubs where musicians and scene-makers gathered night after night. Howard's imaginative programming brought them an eclectic mix of the best domestic and imported acts, including the Byrds, Joni Mitchell, Ike and Tina Turner, and Vanilla Fudge. It was Howard who, on one legendary occasion, let an unknown American guitarist named Jimi Hendrix sit in with the Brian Auger Trinity. Inspired by his uncle Eddie Calvert, the bandleader, Howard's Hackney childhood was filled with jazz. By the early Sixties...

Scope and Contents The pages depict a switchblade knife photographed with increasing progressive close-ups. There is no text except for the final page that reads "nearer to the edge." Hellion in her catalogue " "Libros de Artista - Artist's Books: Tomo 1" (2003) does not depict not list this book although she does so for the other two Geiger book held by the Sackner Archive.Wikipedia: Anna Bella Geiger, (born 1933, Rio de Janeiro,) is a Brazilian multi-disciplinary artist of Jewish-Polish ancestry,[1] and professor at the Escola de Artes Visuais do Parque Lage. She lives in Rio de Janeiro, and her work, characterized by the use of different media, is held by galleries and private collections in the USA, China, Brazil and Europe. Geiger first graduated in literature and language, and later in the 1950s, studied art at Rio's Instituto Fayga Ostrower. She moved to New York in 1954 where she took classes in Art History at the Metropolitan Museum of Art, returning to Rio the following year. In 1965 she...

Scope and Contents

Theme deals with the evolution of fish to fowl. Owing to the printing process, no two copies are completely alike. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This booklet has triangular shape. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book consists of an array of dizzying styles of collages and rubberstamped presentations. There are three numbered copies of this work in the Sackner Archive that have similar layouts with mostly minor differences in content. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book consists of an array of dizzying styles of collages and rubberstamped presentations. There are three numbered copies of this work in the Sackner Archive that have similar layouts with mostly minor differences in content. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book consists of an array of dizzying styles of collages and rubberstamped presentations. There are three numbered copies of this work in the Sackner Archive that have similar layouts with mostly minor differences in content. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book consists of an array of dizzying styles of collages and rubberstamped presentations. There are three numbered copies of this work in the Sackner Archive that have similar layouts with mostly minor differences in content. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book consists of an array of dizzying styles of collages and rubberstamped presentations. There are three numbered copies of this work in the Sackner Archive that have similar layouts with mostly minor differences in content. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book consists of an array of dizzying styles of collages and rubberstamped presentations. There are three numbered copies of this work in the Sackner Archive that have similar layouts with mostly minor differences in content. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The two drawings were done by A. Noir in 30 copies of this edition. Stored in S[strid] box. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Stored in S[strid] box. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Stored in S[strid] box. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Stored in S[strid] box. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Stored in S[strid] box. -- Source of annotation: Marvin or Ruth Sackner.