The theme of the title is expressed in the stormy, wave-like reliefs on the recto and verso of the pages. -- Source of annotation: Marvin or Ruth Sackner.

The cover and the pages are painted red. -- Source of annotation: Marvin or Ruth Sackner.

Weigand had contacts with Andre Thomkins and Danel Spoerri according to internet. -- Source of annotation: Marvin or Ruth Sackner.

The cover and several pages are decorated with numbers and numbers that have human-like appearance. -- Source of annotation: Marvin or Ruth Sackner.

The larger book with the cover has 228 pages. The smaller book that consists of a cut section of an appropriated West Berlin telephone directory without a cover has 300 pages. -- Source of annotation: Marvin or Ruth Sackner.

This book contains text written in the alphabet created by Zush; the transcription of the letters and numbers into the Spanish alphabet is present on the penultimate page. Each page depicts images typical of Zush's style. These are both hand created and computer manipulated. Several photographs of costumed individuals are included as are images similar to the original pages contained in the Zush book in the Sackner Archive. Complete pages of Zush's texts in his original alphabet are also found in this book. -- Source of annotation: Marvin or Ruth Sackner.

The cut pages with a single printed fragment progress to a word as a function of the dimensions of the page and then regress to a fragment. Wachsein means vigil in English. -- Source of annotation: Marvin or Ruth Sackner.

Four Russian and four German artists took part in this book project. Each artist made five lithographs, so that there are 40 in the book; some are hand colored. The prints were made from self-chosen texts from the other country. The prints were horizontally divided such that the texts and images can be mixed from the top to bottom by the viewer. The covers are black & white photographs of the doors of a passenger train. Most of the contributions are accompanied by printed handwritten texts. Note that Daniil Charmes listed in this book is also spelled as Daniel Kharms; both spellings are listed as contributors. -- Source of annotation: Marvin or Ruth Sackner.

Each page reproduces part of the sidewalk in Hollywood, California, onto which names of motion picture stars are inscribed. -- Source of annotation: Marvin or Ruth Sackner.

The image of four continuous gray squares appears on each page either reduced or enlarged with a photocopying machine. -- Source of annotation: Marvin or Ruth Sackner.

Theme deals with Hitler's career as a failed artist. The portrait of Hitler carried throughout the book is an abstracted image of his two most prominent features, his hairline and moustache. Andryczuk contributes a critical essay. -- Source of annotation: Marvin or Ruth Sackner.

Each page is rubberstamped in blue ink with a small image depicting 'water' with straight or curved, whole or broken lines. This image is accompanied by the word for 'water' in many different languages, much more than are listed in this citation. -- Source of annotation: Marvin or Ruth Sackner.

David Cole wrote this visual poem during the last days of his life-threatening progressive pulmonary fibrosis. The text reads, "an illusion - projected up on - a cave wall - dancing windway oh - a quiet ebb tide - sea as if one eye - blinked - farewell." -- Source of annotation: Marvin or Ruth Sackner.

This booklet consists of a map outline of the individual 50 United States, printed one per page, that are captioned with the names of mainly British map locations. Pages captioned Spain and Italy are also present. The map outlines and captions do not appear to be related. Bob and Roberta Smith is the non de plume for Patrick Brill (b.1963), an artist whose language art is depicted on page 64 of Apollo January 2008. -- Source of annotation: Marvin or Ruth Sackner.

The images on the pages consist of reproductions of collages. -- Source of annotation: Marvin or Ruth Sackner.

Brigitte Willberg composed this book using ornamental typographic devices. As she states in the preface, created "expansive new compositions in which the individual element is an integral component. The forms are fluid, streaming with an energy that is at times, explosive." Five different ornaments were used for these compositions. Each ornamental surface was based on just one figure which was typeset by hand after extensive calculations and sketches. Although the images were typeset, their appearance is reminiscent of typewriter art, particularly in the work of Henri Chopin. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of misprints of the exhibition catalogue "Ressource Kunst" that is held by the Sackner archive. -- Source of annotation: Marvin or Ruth Sackner.