Artist book (mass produced)
Found in 242 Collections and/or Records:
Nutcracker: Sex kvartetter / Bengtsson, Mats G.., 1964
Obra sobre Papel, 1999
Suarez Londono's works on paper consist of engravings and mixed media. The series illustrated in the book are E.S.A.V., Retratos [Portraits], Universidad Pontificia Bolivariana, Degas, Yolovei, Eno, Paul Klee, Grabados [Engravings] and Wild Horses. Several of these works are artist notebooks. The book is also illustrated with 82 small pictures of historic and contemporary art works of importance to Suarez including a self-portrait of Tom Phillips painted on a page from A Humument, similar in imagery to a page held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Orderbuch / Hodell, Ake., 1965
The text consists of lists of products and numbers and lists of items that are struck through. Orderbuch lists the numbers of concentration camp prisoners and what has been extracted from them, eg.: "C A 36956 (J) / Motorol". -- Source of annotation: Marvin or Ruth Sackner.
Ordinary. Extraordinary. Rosa Luxemberg and Alice Stevens / Stevens, May., 1988
This book juxtaposes the life of Rosa Luxemberg, the communist revolutionary of the early 20th century with the life of Alice Stevens, the artist's mother. -- Source of annotation: Marvin or Ruth Sackner.
Organon / Walther, Franz Erhard., 1983
There was also a 2nd edition printed in 1986. -- Source of annotation: Marvin or Ruth Sackner.
osservazione critiche sulla funzione del nervo ottico nella semiotica dell'arte / Frangione, Nicola., 1977
Pages are black alternating with white and without text or image. -- Source of annotation: Marvin or Ruth Sackner.
osservazione critiche sulla funzione del nervo ottico nella semiotica dell'arte / Frangione, Nicola., 1977
Pages are black alternating with white and without text or image. -- Source of annotation: Marvin or Ruth Sackner.
Over & Above / Douglas, Helen ; Stokes, Telfer., 1975
Palimpsest / Lovett, Ann., 1990
An unidentified text is cancelled with squiggly lines leaving a new poetic text much like Phillips' A Humument but without varied visual treatment. Photographs and drawing are also interspaced in the book. -- Source of annotation: Marvin or Ruth Sackner.
Paperwork: A Brief History of Artists Scrapbooks / Andrew Roth, curator ; Alex Kitnick, curator ; Brainard J ; Burroughs WS ; Gysin B ; Evans J ; Hansel S ; Hendricks G ; Johnson R ; Buczak B ; Pelieu C ; Prince R ; Schneeman C ; Mir A., 2013
Part One: Typographic Samples Pictures & Polemics; Part Two: Typographical Pictures; Part Three: Typographic Polemics / Corris, Michael ; Davis S ; Barr A., 1986
Several of the pages in part one are Corris' typographical renditions of writings by Berthold Brecht. In parts two and three, Corris utilized concrete and visual poetic techniques to flesh out the politics of art. Composed and output by the author on Compugraphic Editwriter 7700, MCS 10 with Preview, MCS 20 with Power Page, and Compugraphic 8400. Funded in part by The National Endowment for the Arts. Part One, Typographic Samples: Excerpts from E.P. Thompson's "Letter to America," the Mask of Evil, This Babylonian Confusion, Ballad on Approving of the World, and other titles by Bertolt Brecht. Part Two, Typographic Pictures: "Logo for the Confused" and 15 other selections. Part Three, Typographic Polemics: Decomposition (after Alfred Barr), The Cultivated Hope (after Oscar Wilde), The Sucess and Failure of Stuart Davis, and The Sublime is Now (after Barnett Newman). -- Source of annotation: Marvin or Ruth Sackner.
Persistent Stereotypes / Courtney, Pat., 1988
Sections of dictionary pages have been photocopied in varied magnifications. -- Source of annotation: Marvin or Ruth Sackner.
Pinokostraka / Patti, Enzo., 1990
[Plastic Arts of the 20th Century: Catalogue II] / Vasarely, Victor ; Haakon Chevalier, translator., 1970
point d'ironie: Anywhere. No.1 / Joseph Grigely., 1998
point d'ironie: [Highway of Puberty]. No.18 / Rosemary Trockel., 1998
point d'ironie: no # available. No.3 / Douglas Gordon., 1998
After an introduction to the theme of this brochure, Gordon documents it with photographs by the placing of a completely black tattoo on the end of the index finger. -- Source of annotation: Marvin or Ruth Sackner.