Assembling
Subject
Subject Source: Sackner Database
Found in 434 Collections and/or Records:
Magazine. No.1/Oct / Mary Winder Baker, Sas Colby, editors ; Tavenner P ; Colby S., 1980
Item
Identifier: CC-06616-6735
Scope and Contents
Includes a pamphlet dealing with instructions on the act of breathing by Sas Colby. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1980
Mail-Art Project for the Third Dimension, A: 1...2...3 Dimensionen/Dimensions / Aguiar F ; Baroni V ; Blaine J ; Broel E ; Cepl G ; Crozier R ; Deisler G ; Hill C ; Ferrando B ; Hainke W ; Helmes S ; Knowles A ; Meade R ; Noel A ; Petasz P ; Rehfeldt R ; Schauffelen KB ; Zauner H ; Ulrichs T ; Arts A., 1990
Item
Identifier: CC-06058-6172
Scope and Contents
Exhibition was curated by Jurgen Olbrich. All objects in the exhibition consisted of artistically altered papercard boxes. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1990
Mail Art Project for the Third Dimension, A: 1...2...3 Dimensionen/Dimensions / Baroni V ; Olbrich JO ; Bleus G ; Hainke W ; Helmes S ; DeVries H ; Ulrichs T ; Schauffelen KB ; Crozier R ; Broel E ; Cepl G ; Gappmayr H ; Noel A ; Aguiar F ; Private World ; Arts A ; Lohr H ; Blaine J ; Monro N ; Segay S., 1991
Item
Identifier: CC-06059-6173
Scope and Contents
Exhibition was curated by Jurgen Olbrich. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1991
Mail Art: The Scroll Unrolls / Cole, David, curator ; Baroni V ; Bennett JM ; Broel E ; Cepl G ; Cohen R ; deCharmoy C ; Cole D ; Corfou M ; Ernst K ; Groh K ; Hoffberg J ; Kempton K ; Kostelanetz R ; Laxson R ; Olbrich JO ; Neaderland L ; Petasz P ; Helmes S ; Padin C ; Crozier R., 1984
Item
Identifier: CC-17376-17741
Malcontent. No. 33/May / Collins P ; Scala R ; Catlin A ; Estabrook M ; Gomez A ; Corbett M ; Weinman P., 1995
Item
Identifier: CC-43455-45518
Scope and Contents
Laura Poll included a card in the magazine sent to Patricia Collins. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1995
Mall Statements / Dellafiora, David, editor; spence, pete, editor; Cuthbertson M; Dellafiora D; Hartigan S; Jarvis L; spence p; Vriens S., 1999
Item
Identifier: CC-32103-33641
Scope and Contents
Each print has the same basic image, a full length grainy photographic portrait of a man with a sandwich board. Each poet has altered the message of the sandwich board. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1999
Mani Art. No.1-2/Jul / Pascal Lenoir, editor ; Suel L ; Olbrich JO ; Janssen R ; Tillier T ; Giacomucci U ; Horus ; Cavellini GA ; Blaine J., 1984
Item
Identifier: CC-35589-37333
Scope and Contents
This periodical was mailed to Jurgen Olbrich (no.1-119) and then sent to Rolf Dittmar. The Sackners purchased the entire run at Hauswedell & Nolte Auction 352 (Sammlung Rolf Dittmar), November 2000. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1984
Medium Photocopy: Recent German Copygraphy / Hainke W ; Olbrich JO ; Albrecht d., 1988
Item
Identifier: CC-05790-5899
Metamorfosis / Collins P ; Aguiar F ; Gomez A ; Graf H ; Lenoir P ; Melnikov W ; Ricart J ; Sourdin B ; Strada G ; Vidal F ; Beltran JC., 1998
Item
Identifier: CC-34703-36406
Millennium Resolutions Kit / Dellafiora, David, editor; Janetzki, Mardi, editor., 2001
Item
Identifier: CC-38682-40592
Scope and Contents
This kit was made by students of the Geelong Arts Alliance to welcome the new millennium. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2001
Mini Books, 2004
Item — Box 147: [Barcode: 31858072458007]
Identifier: CC-43115-45170
Scope and Contents
The books in this assembling were made by Dellafiora's students at HUB Gallery. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2004
Miniature Obscure: Dialog. No.4 / Gerhild Ebel, Cornelia Ahnert, editors ; Ahnert C ; Andryczuk H ; Dencker KP ; Ebel G ; Sorgel H ; Corpa ; Gomez A ; Gappmayr H ; Garnier P ; Gunther T ; Huber J ; Janz A ; Olbrich JO ; Kowalski J ; Tarlatt U ; Scherstjanoi V ; Warnke U ; Vallias A ; Zielke O ; Ketelhodt IV ; Franzobel ; Garnier I ; Huber C ; Huckauf P ; Janz A ; Schwarz C., 1994
Item
Identifier: CC-06683-6802
Scope and Contents
The cards and booklets which measure approximately 11 x 11 cm have been placed in two open, red, cardboard boxes which in turn are placed within a larger rectangular, printed blue box. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1994
Monument Square / Galantai, Gyorgy, editor; Alocco M; Baroni V; Bates K; Beckmann P; Below P; Blaine J; Bleus G; Boschi A; Capatti B; Cleveland B; Corbett M; Crozier R; DeJonge K; Distel H; Fox M; Gagnon JC; Groh K; Gut E; Held Jjr; Hendricks G; Jensen KF; Kierspel J; Laszlo JN; Robic JF; Tot E; Scala R; Wood R; Miti L; Stussi M; Morandi E; Perfetti M; Stetser C; Sourdin B; Winnes F; Juri G; Simon B; Urban J; Nakamura K; Colby S; Padin C; MacLow J; Merlin., 1997
Item
Identifier: CC-52161-73280
Scope and Contents
This work consists of each artist's alteration of the identical image postcard depicting the Monument Square in Budapest. In this sense, it is analogous to Dieter Roth's "120 Piccadilly Postcards," 1996. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1997
Múltiples, No. 2: La Eternidad es el Instante, 2000
Item — Box 169: [Barcode: 31858072458312]
Identifier: CC-38541-40449
Scope and Contents
This assembling was made to coincide with the exhibition "Muestra de libros de artista" at the 26th Internacional del Libro de Buenos Aires meeting. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2000
Networked Art / Saper, Craig J. ; And M ; Andersen E ; Anderson L ; Apollinaire G ; Arias-Misson A ; Arp H ; Atchley D ; Bakhchanyan V ; Bann S ; Baroni V ; Barreto-Rivera R ; Barthes R ; Beckett S ; Belloli C ; Bense M ; Benveniste A ; Bernstein C ; Beuys J ; Blaine J ; Bleus G ; Azeredo R ; Bohn W ; Bory JF ; Breakwell I ; Brecht G ; Breton A ; Cage J ; Cantsin M ; Cavellini GA ; Carra C ; Cardella J ; Chopin H ; Cleveland B ; Cluver C ; Cobbing B ; Connor B ; Corner P ; CrackerJackKid ; Crozier R ; Curnoe G ; Crane M ; Damen H ; Debord G ; DeCampos A ; DeCampos H ; Depero F ; Dias-Pino W ; Dotremont C ; Dunn L ; Dufrene F ; Dutton P ; Export V ; Fahlstrom O ; Feldman M ; Filliou R ; Finlay IH ; Fiore Q ; Flynt H ; Fricker HR ; Friedman K ; Gaglione B ; Garnier I ; Garnier P ; Gomringer E ; Graham D ; Grogerova B ; Gysin B ; Haack H ; Hachette M ; Hains R ; Heissenbuttel H ; Held Jjr ; Hendricks G ; Higgins D ; Hirsal J ; Higgins EF-III ; Holzer J ; Home S ; Houedard DS ; Huelsenbeck R ; Hutchins A ; Indiana R ; Isou I ; Johnson R ; Jorn A ; Kaprow A ; Knowles A ; Knizak M ; Kostelanetz R ; Kriwet F ; Kruger B ; Leary T ; LeWitt S ; Lichtenstein R ; Lyons J ; McCaffery S ; MacLow J ; Malanga G ; Mallarme S ; Manzoni P ; Marcus G ; Marinetti FT ; Mazza A ; Metzger G ; Moholy-Nagy L ; Morgan E ; Neuhaus M ; Nichol bp ; Nitsch H ; Nova GL ; Novak L ; Oisteanu V ; Padin C ; Perkins S ; Perloff M ; Phillips T ; Pignatari D ; Petasz P ; Porter B ; Rauschenberg R ; Brown B ; Rehfeldt R ; Rosler M ; Roth D ; Ruhm G ; Ruch G ; Ruscha E ; Sabatier R ; Samaras L ; Schmidt SJ ; Schwitters K ; Seaman D ; Simmias of Rhodes ; Smith O ; Solt ME ; Spacagna J ; Steiner W ; Spoerri D ; Studeny F ; Lemaitre M ; McLuhan M ; Tisma A ; Trusky T ; Tupitsyn M ; Twombly C ; Ulrichs T ; VanDoesburg T ; Varney E ; Vostell W ; Warhol A ; Watts R ; Was E ; Williams E ; Zack D ; Zukofsky L ; Zurbrugg N ; Altmann R ; Sackner RK ; Sackner MA ; Cortese R ; Evans J ; Giorno J., 2001
Item
Identifier: CC-52169-73288
Scope and Contents
Back cover: The experimental art and poetry of the last half of the twentieth century offers a glimpse of the emerging networked culture that electronic devices will make omnipresent. Craig J. Saper demarcates this new genre of networked art, which uses the trappings of bureaucratic systems-money, logos, corporate names, stamps-to create intimate situations among the participants. In Saper's analysis, the pleasures that these aesthetic situations afford include shared special knowledge or new language among small groups of participants. Functioning as artworks in themselves, these temporary institutional structures-networks, publications, and collective works-give rise to a gift-exchange community as an alternative economy and social system. Saper explains how this genre developed from post-World War II conceptual art, including periodicals as artworks in themselves; lettrist, concrete, and process poetry; Bauhaus versus COBRA; Fluxus publications, kits, and machines; mail art and...
Dates:
2001
Networking Artists: Assemblings from the Ruth & Marvin Sackner Archive of Concrete & Visual Poetry / Craig Saper, curator ; Shores M ; Mark A ; Kostelanetz R ; Meade R ; Baroni V ; curry jw ; Cortese R ; Zagoricnik F ; Huth G ; Gagnon JC ; CrackerJackKid ; Black J ; Gerlovin V ; Gerlovina R ; Nikonova R ; Neaderland L ; Warnke U ; Fabry A ; Deisler G ; Ebel G ; Ahnert C ; Forsyth I ; Pollard J ; Vigo EA ; Copley W ; Crandall J ; Boumans B ; Beltrametti F ; Lora-Totino A ; Spatola A ; Damen H ; Chopin H ; Lemaitre M ; Saper C ; Ryan M ; McLuhan M ; Sackner MA ; Sackner RK ; Saritsky A ; Carlander K ; Drucker J ; Patasz P ; Cardella J ; Warhol A ; Bowles J ; Wohl B ; Maggi R ; Adler J ; Dias-Pino W ; Lemaitre M ; Targowski H., 1997
Item
Identifier: CC-30106-31504
Scope and Contents
Craig Saper curated this exhibition through loan of "Assemblings" entirely from the Sackner Archive. It might have been the largest exhibition of assemblings in a gallery space to date. His extensive essay describes the history of this international, alternative distribution system with its roots in Fluxus, Lettrisme, Situationism, Conceptualism and Cobra. Circumventing the established art gallery system, bookmakers, artists, visual poets, media artists send from 50 to 100 works to an assembler or compiler who distributes the assemblings to the participants and to subscribers. Worldwide networking systems developed, basically using the postal system and a few avant garde institutions, in an attempt to reach a wide audience and democratize art making. Assemblings combine both crafts and mechanized reproduction. Saper writes, "The artists cherish the production of carefully constructed individualized visual poems and constructions as well as the insistence that readers recuperate,...
Dates:
1997
Networking Artists: Assemblings from the Ruth & Marvin Sackner Archive of Concrete & Visual Poetry / Craig Saper, curator ; Shores M ; Mark A ; Kostelanetz R ; Meade R ; Baroni V ; curry jw ; Cortese R ; Zagoricnik F ; Huth G ; Gagnon JC ; CrackerJackKid ; Black J ; Gerlovin V ; Gerlovina R ; Nikonova R ; Neaderland L ; Warnke U ; Fabry A ; Deisler G ; Ebel G ; Ahnert C ; Forsyth I ; Pollard J ; Vigo EA ; Copley W ; Crandall J ; Boumans B ; Beltrametti F ; Lora-Totino A ; Spatola A ; Damen H ; Chopin H ; Lemaitre M ; Saper C ; Ryan M ; McLuhan M ; Sackner MA ; Sackner RK ; Saritsky A ; Carlander K ; Drucker J ; Patasz P ; Cardella J ; Warhol A ; Bowles J ; Wohl B ; Maggi R ; Adler J ; Dias-Pino W ; Lemaitre M ; Targowski H., 1997
Item
Identifier: CC-32240-33798
Scope and Contents
Craig Saper curated this exhibition through loan of "Assemblings" entirely from the Sackner Archive. It might have been the largest exhibition of assemblings in a gallery space to date. His extensive essay describes the history of this international, alternative distribution system with its roots in Fluxus, Lettrisme, Situationism, Conceptualism and Cobra. Circumventing the established art gallery system, bookmakers, artists, visual poets, media artists send from 50 to 100 works to an assembler or compiler who distributes the assemblings to the participants and to subscribers. Worldwide networking systems developed, basically using the postal system and a few avant garde institutions, in an attempt to reach a wide audience and democratize art making. Assemblings combine both crafts and mechanized reproduction. Saper writes, "The artists cherish the production of carefully constructed individualized visual poems and constructions as well as the insistence that readers recuperate,...
Dates:
1997
Networking Artists: Assemblings from the Ruth & Marvin Sackner Archive of Concrete & Visual Poetry / Craig Saper, curator ; Shores M ; Mark A ; Kostelanetz R ; Meade R ; Baroni V ; curry jw ; Cortese R ; Zagoricnik F ; Huth G ; Gagnon JC ; CrackerJackKid ; Black J ; Gerlovin V ; Gerlovina R ; Nikonova R ; Neaderland L ; Warnke U ; Fabry A ; Deisler G ; Ebel G ; Ahnert C ; Forsyth I ; Pollard J ; Vigo EA ; Copley W ; Crandall J ; Boumans B ; Beltrametti F ; Lora-Totino A ; Spatola A ; Damen H ; Chopin H ; Lemaitre M ; Saper C ; Ryan M ; McLuhan M ; Sackner MA ; Sackner RK ; Saritsky A ; Carlander K ; Drucker J ; Patasz P ; Cardella J ; Warhol A ; Bowles J ; Wohl B ; Maggi R ; Adler J ; Dias-Pino W ; Lemaitre M ; Targowski H., 1997
Item
Identifier: CC-32241-33799
Scope and Contents
Craig Saper curated this exhibition through loan of "Assemblings" entirely from the Sackner Archive. It might have been the largest exhibition of assemblings in a gallery space to date. His extensive essay describes the history of this international, alternative distribution system with its roots in Fluxus, Lettrisme, Situationism, Conceptualism and Cobra. Circumventing the established art gallery system, bookmakers, artists, visual poets, media artists send from 50 to 100 works to an assembler or compiler who distributes the assemblings to the participants and to subscribers. Worldwide networking systems developed, basically using the postal system and a few avant garde institutions, in an attempt to reach a wide audience and democratize art making. Assemblings combine both crafts and mechanized reproduction. Saper writes, "The artists cherish the production of carefully constructed individualized visual poems and constructions as well as the insistence that readers recuperate,...
Dates:
1997
Neumarket der Kunste Koln / Graf. Werkstatten Henry Deckner, editor ; Sykora Z ; Ratz M., 1970
Item
Identifier: CC-52372-73495
Scope and Contents
This is a catalogue of artwork advertisements of German and Swiss artists. The pages are of varied weighted paper stock and colors submitted by the galleries and artists who exhibited their works at this fair. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1970