The theme of this book is control of pests, e.g., insects, rabbits, etc. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

The work deals with ship wrecks. -- Source of annotation: Marvin or Ruth Sackner.

Ten artists from different countries spent a week in Berlin and documented their experiences. -- Source of annotation: Marvin or Ruth Sackner.

The theme of Meat in this issue refers to meat that is eaten and meat that is sex. The kraft paper wrapper, the wax paper loose sheets and the metal hook in this issue reference the theme of meat to be eaten. -- Source of annotation: Marvin or Ruth Sackner.

Includes a soft cover book, "Codice di Karen" with several photocopied pages of different styles of calligraphic markings. -- Source of annotation: Marvin or Ruth Sackner.

These prints by the 17 contributors were photocopied from the collages made from the same letraset fonts distributed to them by Bealieu. -- Source of annotation: Marvin or Ruth Sackner.

The envelope is addressed to Ulises Carrion. -- Source of annotation: Marvin or Ruth Sackner.

This portfolio, solicited and collated by Fluke and Risseeuw, was shown for the first time at the Cortona International Print Symposium: A Print Odyssey 2001. The editors define sock as "...in printing, the use of heavy pressure, usually on dampened paper, to drive types that may be uneven or worn deep into the paper for a readable text." They defined Kiss as "...in printing, a light impression with just enough pressure to transfer the ink from type to paper, leaving no permanent indentation in the paper." The paper stock for the prints varies widely as do the techniques of printing. -- Source of annotation: Marvin or Ruth Sackner.

The work in this assembling is from November 1995 to November 1996. -- Source of annotation: Marvin or Ruth Sackner.